mark.waltz Making the Dead End Kids mayor of New York for a week is a fatal mistake they may not recover from. In 2013, the race for mayor truly is a circus, so one of the mayoral candidates could be as intelligent as this mayor and his cabinet. The story originally focuses on reform school kid Gabriel Dell who moves to a new neighborhood with sister Ann Sheridan, finding he can't escape his past, even though he's quickly adopted by the Beale Street gang which consists of Dead End Kid veterans Leo Gorcey and Huntz Hall. When a nasty criminal element takes over, Dell is framed for starting a tenement fire which kills a crippled young boy and results in Dell's being sentenced to ten years in adult prison. This leads to the rest of the gang to use their week in city government to prove Gabe innocent. Dell reforms thanks to an adult, here played by that master of screen art, Ronald Reagen. The boys are supported by Sheridan who is romanced by Reagen, and by Bonita Granville, with Margaret Hamilton as their judgmental teacher and Berton Churchill as the rolly-poly mayor who looks nothing like Fiorello La Guardia. Marjorie Main is particularly haunting as the mother of the dead boy who gets support by the entire neighborhood in a touching scene. Hamilton is initially seen chastising Dell for his past in front of the other boys, then discourages the gang's mayoral candidate, and is noticeably upset when he wins. She represents the type of teacher who discourages as opposed to encourages, a genuine problem in public school education. Some tough action sequences, particularly a fight between Dell and the gang when they first meet, the blazing fire which is blamed on the new kid on the block (resulting in a climactic trial which reveals the corruption in some parts of city government), add much needed excitement to the initially comic structure. The simple message of the film is to never under- estimate the young. They start fighting for their future the minute they see what's at stake and how past generations have screwed it up. Warner Brothers did their own version of MGM's "Babes in Arms", released the same year, which ironically featured Hamilton as a city busybody fighting to get kids off the street and into a reform school.

wes-connors After a stint in reform school, fresh-faced Frankie Thomas (as Gabe Ryan) is ready to go straight. Upon release, he moves to "Beale St.", with pretty big sister Ann Sheridan (as Joy Ryan). The siblings don't know it, but the neighborhood is populated by young hoodlums and organized crime. Young Thomas quickly joins "The Dead End Kids" (as "The Termites") lineup of Billy Halop (as William R. "Billy" Shafter), Bernard Punsly (as Luke "Sleepy" Arkelian), Leo Gorcey (as Leo "Mousy" Finnegan), Huntz Hall (as Huntz Garman), Gabriel Dell (as Luigi Petaren), and Bobby Jordan (as Bernie Smith).While Thomas scuffles with his "Dead End" pals, sister Sheridan is courted by handsome lawyer Ronald Reagan (as Patrick "Pat" Remson). This irks crime lord Eduardo Ciannelli (as Alfred Martino), whose romantic advances are reproached by Sheridan. While Sheridan organizes efforts to clean up the neighborhood, mobster Ciannelli counters with a horrific plan to frame brother Thomas for an arson incident, which may cause the death of a "Dead End" comrade...In the sixth series film (depending on how you count them), the law of diminishing returns is clearly catching up with the "Dead End Kids". There are too many characters and situations rotating on screen, although most of them are enjoyable. The first part of the film involves (mostly) Frankie Thomas, a good addition to the group. Then, Billy Halop (mostly) takes center stage, becoming "Boys' Week Honorary Mayor", to help clear Thomas of arson.Sheridan and Reagan make a great pair, as the likable, and level-headed adults; note, this is one of future President Reagan's most appealing early roles. The many other stand-outs include: James Cagney's young look-alike Frankie Burke welding a knife, wicked schoolteacher Margaret Hamilton, and grief-stricken mother Marjorie Main - each of these characters is "bigger" than the movie, which makes it all seem even more cluttered. But, it is a fun picture.***** The Angels Wash Their Faces (8/26/39) Ray Enright ~ Frankie Thomas, Billy Halop, Ann Sheridan

WarnersBrother I don't have much to add to what has been said before, but it's very much a film of it's time, and the first (and likely only) time that the studio hung the film totally on the Dead End Kids.The Warner's gave the boys plenty of help, from director Ray Enright and an 'A' budget, to an almost magical cast of supporting actors. At every turn, we get one of those gem performances from real pros. They are too many to list, but it seems like just about everybody on the Warner's lot (Sans the very biggest stars) walk through this picture. (See if you can spot John Ridgely)The only over the top performance is from the always reliable Eduardo Cianelli as a mob boss with a messianistic complex. He plays this character almost exactly like that of the Thuggie leader in "Gunga Din". He's something to watch! And Marjorie Main is excellent and gets her best role since "Dead End".My bid for this one is a second feature on a double bill with something like "City for Conquest".Hooray for Warners!

jotix100 This 1939 film tried to capitalize on the much better Michael Curtiz's film "Angels with Dirty Faces". As directed by Ray Enright, the only interesting thing is how tamed these kids were in comparison with what's going on with the youth in America's inner cities today.The film is only worth seeing because of the presence of Ann Sheridan and Ronald Reagan, who showed they were well paired together. The Dead End kids have larger parts as the plot concentrates on them rather than in the older folks.In a way it's curious how arson was used in the same way some scrupulous landlords did in later years right here in New York. It was the quickest way to turn a property around never considering the social problems it created. In today's climate with so many guns around there is a new reality. The young kids of the story seemed mere pranksters rather than criminals. How times change!