SnoopyStyle Actor Spalding Gray tells stories through a series of monologue. Director Steven Soderbergh splices together the various segments to create a vision of a man's life through his own words. Spalding is most famous as an actor whose biggest movie is probably 'The Killing Fields'. This is a fascinating experience like sitting in front of the man listening intently at the story teller. It's confessional. It's personal. It's sometimes funny, some shocking, and just a lot of little personal recollections. There is a lot of footage from his one person play. The disembodied laughter is a little bit strange since it depends on which footage is being used. Some footage is just an interview. I have a feeling that the play is a lot more mesmerizing. The movie runs on and on switching from one performance to another to an interview. It feels like a run-on sentence. There are some undeniable laughs. Sometimes I miss some of the laughs from the audiences. It's like I'm missing a comedic beat or some obscure reference.I wonder if it would be better to have a straight uncut film of the plays. A film that takes in Spalding's pace could allow the stories to hit better. Let's pause for effect. Let's have a break for the audience. The monotone pacing tested my patience after 30 minutes. Of course, a theater performance transferred directly to film almost never works except for comedy specials. This is sorta like that. Then again it isn't. The pacing could be too slow for movie audiences. This is an interesting attempt, but it didn't all work for me.

gavin6942 A look at the art of Spalding Gray who drew from real life experience to create a compelling and deeply personal series of monologues.I freely admit I did not know Spalding Gray going in to this. I may have seen him in one or two things (such as "The Killing Fields"), but really had no idea who he was or why he was important (if, indeed, he was).This was excellent, a documentary that works for fans and novices alike. From humorous anecdotes of his childhood to a tale of a homosexual encounter in Greece, we get to know Gray and all his foibles -- no apologies are offered and no sympathy is sought. Love him or hate him, this is the man in his whole.

dbborroughs The life of Spaulding Gray in the words of Spaulding Gray. Assembled by Steven Soderbergh from hours of film and video tape the film covers Gray's life from birth until just before his death. Its a final monologue from a man who is best known for monologues.The film is a funny, but almost overwhelmingly sad look at the man and his life. Its a version of his life as he might have told right before he went into the great beyond. Its incomplete, details are missing (If you know his monologues you know how much is missing), but its still his life.For me the biggest shock was seeing the change in the man after the accident in Ireland. He was clearly altered by the experience. He was no longer the same man who only months before had done the glorious and life affirming Morning Noon And Night. When I saw that Show at Lincoln Center I witnessed one of the most life affirming moments of my life. Little did anyone know that within mere months the man on stage celebrating life and family would be broken and set irrevocably (and seeing the footage unsurprisingly) toward self destruction.I like the film. It seems to be a fitting, if overly dark, send off for a man who was always talking about himself. Being a fan I was deeply saddened by the film, at the loss. The Chumbawumba moment from Morning Noon and Night reduced me to tears. I freely admit it was because of what the moment means having seen the original show, its life. Unfortunately it comes right before Gray went into free fall. I kind of went into free fall too.This was the wrong movie to see during the happy time of Christmas...That said, this is a really good film and worth seeing.

meddlecore Just watched this and must say it is totally brilliant.Soderbergh has brought us SPALDING GRAY'S FINAL MONOLOGUE with the film, "And Everything Is Going Fine".He compiles what is essentially a final autobiographical testament of Gray's life using rare footage of his TV interviews, recordings of his theatrical monologues, and even some footage taken personally by Gray with his family members.A simple mash-up of such footage gives Gray the oppourtunity to bring us one final monologue- from the grave- speaking about himself, just as he loved to do...for our pleasure, and his sanity!!! He truly was the best monologist, one-man-show and storyteller to ever grace the stage.And Soderbergh- whom directed Gray's Anatomy (Gray's 1996 monologue,which is beautifully shot) and King of the Hill (in which Gray played the role of Mr. Mungo)- must get props for not succumbing to the urge of telling Gray's story, but instead appropriately allowing Gray to tell it himself. Collaborating through selectivity and editing, Soderbergh plays a role much like the one he did when filming his earlier monologue.Gray begins this story by discussing the overwhelming influence his mother had on him...an influence that would consume and eventually take his life. He continues by talking about his journey to Hollywood, becoming an actor, his various escapades, his travels to India, the art of writing and performing monologues, the art of acting, the value of conversing with the audience and people off the street, his marriage, keeping secrets, and ending with a recollection of his experience of being in a major accident, one he would never fully recover from.Throughout this monologue he reflects upon life, living, death, growing up, sex, love, relationships, experience, creative narcissism, psychology and the limitations of being human, hardship, depression, and, most importantly, introspection.On January 10, 2004, after watching the film "Big Fish" Spalding Gray got on the Staten Island Ferry from which he would jump, committing suicide, as his mother did before him. Gray killed himself as a result of the major depression that plagued him after the accident he discusses near the end of the film. I have included this information here, but Soderbergh decided to omit it from the film. He does this so we can remember him for what he did in life, as opposed to how he exited in death. (and because Gray can't tell us the story of his death from the beyond...if only...) This can be contrasted with the film "Lenny Bruce - Without Tears" in which Fred Baker decided to not only discuss Bruce's tragic death, but show the photos and video footage of Bruce lying dead naked on his bathroom floor with a needle in his arm. I do not hold this against Soderbergh, because I feel that this final testament is true to how "Spud" would want to be remembered. He was always one to create his own myth (as opposed to Bruce who "kept it real"), and it was only appropriate for Soderbergh to let Gray tell his own story.Shortly after the middle of the film there are a couple interviews in which Gray foreshadows his own tragic death. It is clear from the footage at the end of the film- after the accident- that he never was able to fully recover from the crash- emotionally or physically- and that is what drove him to join his Mother, in death.May you RIP Spalding, you will never be forgotten! I'm sure you are ecstatic that Soderbergh gave you the chance to bring us one last monologue- your final testament to the world - at least i hope you are. Thank you for everything you've done to entertain us, I hope you gained as much from it as we did.A definite 10 out of 10, if you loved Spalding Gray as much as I do, you will not want to miss this!!!