Murder Slim This one was often called the "lost Scorsese movie" but thanks the joys of DVD and YouTube, we can finally check it out. This is one of Scorsese's verite documentaries, this time focusing on the guy who played the gun-dealing "Easy Andy" in 'Taxi Driver'. Steven Prince was Scorsese's roommate for a while, and was also a music promoter (mostly for Neil Diamond) and drug addict before he turned to acting. American BOY catches up with him a couple of years after 'Taxi Driver', with Prince relating tales from his storied life.The verite style of the documentary doesn't add too much to 'American Boy'. Scorsese pops up at the start, as the cameras start to roll. He looks high (this is from Scorsese's coke years), but who cares? Equally, there's an annoying guy in the background who keeps goading Prince to open up. But these are minor, short irritations. The joy of 'American Boy' is just Steven Prince sat there, telling his stories in a pretty masterful way. He has a good idea of pacing, drawing the audience in and out. You'd happily read a book of this guy's short stories.What's also nice about 'American Boy' is that Prince doesn't fall into the pitfalls of the vast majority of drug literature. Half of the many tedious drug books are whines about how terrible it is to be an addict. The other half tediously aggrandise how insightful it is to be an addict. In doing this, taking drugs become the focus of the tales, and are therefore mechanical and repetitive.The drugs in Prince's life are only the background to his interesting tales. He's high, but the drugs aren't the story... genuine events are. Accidentally frying a kid with wires from his TV van. Cops busting in on him and his dealer, but managing to escape arrest by bursting out crying. Shooting an armed robber as he works in a lousy job at a petrol station.Prince is likable and consistently interesting, and the 50 or so minutes of 'American Boy' pass very quickly and pleasingly. There was another documentary made about Prince made in 2009 called, fittingly, 'American Prince'. Here's hoping 'American Prince' is as interesting as this one. And, of course, it's great to hear Prince is still alive.At the end of 'American Boy', he relates the story of talking to his dying father. Prince's father - despite all of his son's mistakes - was impressed by his ability to survive. At first Prince glosses over the magnitude of it, but Scorsese eventually draws out the truth. It's a touching and positive way to end a documentary about an interesting and likable guy.

mkendra29 If this documentary (which is hard to find on home video but I was lucky enough to watch on YouTube) does not seem like a Scorsese film, that is understandable; he generally aims for certain themes, and I don't want to pigeonhole this national treasure... but let's face it, there are certain elements you expect from him: character studies, the mob, loners, criminals, doomed lovers, rock soundtracks. That's just a small list. His forays into nonfiction film are sporadic, although he is great at those: "The Last Waltz" holds its own with scripted material from that (or any) time, his Dylan doc is compelling, and I'm sure the one about George Harrison will be also. Yet this is as stripped-down as anything that Martin has done.I love that fact that while the lion's share of AB is Steven Prince talking, the few cinematic flourishes are carefully chosen, such as the home movies; even the parcellization of his many adult adventures (which eventually settle around his long battle with the needle) feels like it moves like a conventional cinematic story. It was interesting to me to watch some of Scorsese's gems from the period like "Raging Bull" and "Taxi Driver" and then this - to me, his portraits of Gotham losers make infinitely much more sense after watching this! Certainly, there are bits of him borrowed for those fictional films (and I could make a case for much of his later career's pictures as well). It doesn't hurt that Prince himself is a great storyteller and comfortable in front of the camera. MS himself is a constant but, thankfully, at the end of the day an unobtrusive presence. The material either makes or breaks with Steven Prince and, luckily, it all works.This is not the first "one man band" film I've seen that is impressive - "Tyson" and "Blind Spot: Hitler's Secretary" come to mind as great films that focus primarily one one individual being interviewed. I'm not going to put "American Boy" up there with those, but I would happily recommend it to someone who thinks they have seen it all when it comes to the work of Martin Scorsese.

Michael_Elliott American Boy: A Profile of Steven Prince (1978) *** (out of 4)Sandwiched between New York, New York and The Last Waltz, director Martin Scorsese decided to make a short documentary on the life of Steven Prince. Don't know who Prince is? He's not wildly known but fans of Scorsese will recognize him as the gun salesman from Taxi Driver. Scorsese just puts the camera on Prince and lets him tell a variety of stories ranging from his heroin use to his early days growing up in New York with his parents. Scorsese is often times in the camera frame just listening, having fun and constantly laughing at the stories being told. This is a rather hard film to judge but it does only run 55-minutes so at least it doesn't go on too long. It's hard to judge because Prince is such a strange character that you can't help but keep watching him just to see what he's going to say next but at the same time I must admit that I didn't care too much for him. He certainly knows how to tell a story as his body movements are always moving along with the stories but I wondered how much of this was due to drugs. There's not too much visual style going on as Scorsese just keeps the camera on Prince and lets him do his thing. The interviews are well constructed but again, this is for fans of Scorsese who must see everything he's done. The film has gained a lot of attention over the past several years since Prince tells a story about an adrenaline shot that was pretty much lifted word for word by Tarantino in Pulp Fiction.

MisterWhiplash From the start of this hour-length documentary/interview/candid profile on road manager and sometimes actor Steven Prince, director Martin Scorsese sets up the show with him and Prince in a hot-tub, followed by a (not too aggressive) fight with Prince and another guy. This shows to not be a typical one-on-one, as the interviewee goes into specifics in anecdotes, incidents, and memories that usually end with a great laugh (Prince is a wonderful, if a little tired out, storyteller), or with something that's very much revealing on his life (in other words, saddening). For myself, I knew very little about the man before the interview (not the least of which that he was road manager for Neil Diamond, got hooked into a particular section of the drug community, and had a good view of life in NYC involving various types), except that he made an unmistakable impression as the traveling salesman in Taxi Driver. But by the end of the (hard to find, most likely it can be found underground or on ebay) interview, with concise, hard, but fascinating questions from Scorsese, American Boy turns out to be just that, a guy who's gone through the good times and bad times of this country's bounties and dis-pleasures. It's even worth watching twice, especially for Scorsese fans (though there isn't a terrible amount of visual flair he can exercise here), in case something flies over one's head in the storytelling. Favorite stories include the Marijuana-Gorilla bit, Jack the Cop, a particular tale of a drug bust, and a certain recollection of a revival of a woman after an OD, later to become the primary influence on the climax of Tarantino's story Vincent Vega and Marsellus Wallace's Wife. Cool Neil Young song too.