trashgang So now and then Belgium do come forward with a horror flick. This one here is filed under horror but it isn't your usual horror, and if I say, Fabrice du Welz as director it will ring a bell for those geeks out there. Calvaire (2004) was a well made horror from this director and also not for everyone. Alléluia is losely based on the Lonely Hearts Killers Raymond Fernandez and Martha Beck who searched for loneley women to seduce them and finally kill them. It's a bit of the same here. Gloria (Lola Dueñas) is a lonely woman with a kid searching for the real one. When she comes across Michel Bellmer (Laurent Lucas also in controversial Raw (2017)) she falls in love with him and adores him a bit too much. He's a womanizer but she can live with that she thinks and they start a relation only to go badly wrong due Gloria being jealous Michel making love to the women. There's a lot of characterization taking place so the real action or horror isn't the main part in this story. Still there are killings and it's in that part that some are offended because it's eldery women who are seduced. For those searching for a next Clavaire this will not deliver but those who can take a story with a few bloody moments it will be your thing. Even as you have to wait over 35 minutes before the first killing appears it never becomes boring at all. Gore 0,5/5 Nudity 1,5/5 Effects 2/5 Story 2/5 Comedy 0/5

David Crawford Watched the film twice so far. Fabrice Du Welz is one of my all time favourite directors. I discovered him from Calvaire that became one of my all time favourite films. Director investigates love and unusual relationships of mostly deluded people. Imo love+religion+terror is the ID card of Du Welz. After Vinyan I was looking forward to see something morbid, atmospheric and insane and absolutely enjoyed this film! Watching Alleluia I found this to be somehow related to Calvaire that was released 11 years ago. The same actor, the same female name Gloria (as Bartel's wife), as well as religious background. Apart from the fact that its based on the real events, I find there's a strong relation to Calvaire. As if director was making part II. Imagine years of recovery that Mark had after escaping the farm. He somehow had to earn for a living, hence started dating for cash. And his headaches from the past trauma..Gloria sings and Bartel's wife Gloria also used to sing. Just change the name Michel to Mark Stevens and there you go. Anyone else find it being rather sequel to Bartel and Mark Stevens love story? P.S. if you haven't seen Calvaire first, please ignore my message.

sugarfreepeppermint Based on the same true terrifying history that was the blueprint for Deep Crimson (1996). It shares with that film, the same naturalness in which the warped way of thinking of the murder spree couple is relayed. However this 2014 version is set in Belgium, and there is a lot of deviant sex and gore-ish bloodshed on display. Despite being rather squeamish myself, the magnificent acting and the story itself held me captivated from beginning to end. The director treats us to various cinematographic effects (sometimes music video like) to create a certain mood; in particular to embellish the perverse. Despite, the gruesome content of the film, there were moments where I was in stitches with laughter, because the main actress, Lola Duenas, was so convincing in her role, that when she was howling with laughter, so was I. The same goes for male main actor, Laurent Lucas. Both manage to convey excellently the pitch black humour present in the script. The song featured half way throughout the film, out of left-field momentarily converting the film into a musical, also adds to the macabre aura of the main character, and is a -break the fourth wall- moment, intensifying the creepiness you are then irrevocably immersed in. This song is fully fleshed out into an electro track to great effect for the final of the film. So it's not just randomly inserted in there.The Belgian director / writer of this film has certainly proved that he is a master of his craft (and in my opinion far outshines his French contemporaries).

kosmasp Not really lost, but sort of found. That is what you may think of the two main characters. And while the dynamic seems to swing one way at first, it becomes clear that there is something deeper and more Animalistic going on too. Something that is impossible to stop. Americans call something "a glutton for punishment". You could say that for one of the main characters, though he's not always on the receiving end of that punishment. Also how can you stop the unstoppable? It seems to be impossible.Whatever the case, our "heroes" are far out, to use another phrase. You might not be able to connect (actually if you do connect 100% you might wanna check yourself), but it might also be impossible to let go. To not watch this to the end. Unless you have a problem with violence and nudity in movies that is of course. Because there is plenty of that going (literally) around here. There is a message hidden in between all that mayhem though