Fluke_Skywalker
Richard Chamberlain. Sharon Stone? James Earl Jones?? Cassandra "Elvira" Peterson??? Filled with laughs--some even intentional--and thrills--such as when the title card reads "The End". From Cannon Films, the house that Chuck Norris built. Strictly for those who enjoy such B-movie schlock, as I do.Fun facts!... and opinions.Martin Rabbett, who played Quatermain's brother in the film, was actually Chamberlain's partner at the time (and for many years after). I didn't know this while watching the movie, but when the two finally meet up in the third act it's pretty clear Chamberlain has more chemistry with Rebbett than Sharon Stone.The music is essentially cut and pasted from the score Jerry Goldsmith did for the previous film, King Solomon's Mines. It's pretty obviously so at times, but the music itself is fantastic.It's more than a little painful to watch a dignified actor like James Earl Jones have to slum his way through thankless roles like these.Speaking of JEJ, during one scene his character is being mauled by a lion, and I'm %97.8 sure that his too obvious stunt double is Patti LaBelle.There's actually a character billed as "Toothless Arab". Funny thing is, that's like maybe only the 10th most politically incorrect thing in this movie.
msdiglrgtkmbbz
Take every bad Africa legend and stereotype, sift carefully to remove all traces of logic, place in food/word processor, top with stupidity, mix crudely and serve with a thick garnish of corny. It wasn't that there were dumb stereotypes of Africa in this movie; it's that there were so *many* of them, strung together with a plot as rich as your average porn movie and horribly overwrought sound. The beginning was kind of cheesy but maybe could go somewhere. As I watched, it did indeed go somewhere - downhill. It just kept getting stupider. I was hoping for fun and campy, if somewhat stupid, in an Indiana Jones & Temple of Doom sort of way. Nothing big or fancy, just an entertaining action/adventure flick. But I had been hoping for something somewhat less formulaic and thick with clichés.I have some pretty stupid goofy movies in my collection, for when I want something mindless. But this is going straight in the garbage. I don't ever want to see it again as long as I live. I picked it up for a pittance at a thrift store and clearly spent too much money. Thanks to IMDb for at least giving me the pleasure of excoriating it in public.
Jonathon Dabell
Allan Quatermain and the Lost City of Gold is a sequel to the 1985 J.Lee Thompson bomb King Solomon's Mines. Richard Chamberlain and Sharon Stone are reunited for this abysmal follow-up, which somehow contrives to be even worse than the already-awful original. In fact, this movie goes beyond mere badness and earns itself a spot in the list of all-time clunkers occupied by other such embarrassments as Tarzan the Ape Man (1981), Inchon and Myra Breckenridge. I would place this in the worst 50 films of all-time, possibly even within the worst 30!Quatermain (Chamberlain) and his sidekick Jessie (Stone) set off in search of the former's long-lost brother, who vanished while trying to locate a mythical lost city of gold deep in the Amazon. Their quest takes them through jungles, undeground tunnels, and along river rapids. Eventually they find the city, but find that its inhabitants live in fear of the cruel, tyrannical religious leaders. Quatermain leads a revolt and helps the inhabitants of the lost city to win back their freedom.There's a real cheap 'n' tacky look to the film which reminds one of low-budget TV movies on the same theme (e.g Robbers of the Sacred Mountain). Furthermore, everyone is guilty of giving lazy performances, especially Chamberlain and Stone who merely trot out the characteristics they built in the earlier film without trying to find a way to develop their characters further. James Earl Jones looks distinctly uncomfortable as a fierce warrior, Henry Silva wanders around looking dazed and confused, and poor old Robert Donner is reduced to the most embarrassing mugging imaginable in his humorless comic relief supporting role. Every jungle quest cliché in the book is resurrected for this dismal jaunt, but the effect is simply awful. At several points, you might actually find yourself grinding your teeth with despair! Even Trader Horn (1973) is more original than this!
Theoriginaltruebrit
So my husband turns on the tv this morning as we were lying in bed trying to decide when to get up (aaaaaahhhhh saturdays). This movie is on and he begins to watch it. With a sort of morbid fascination I watch it with him and am just enthralled by how utterly bad it is. I turn to my husband at periodic intervals and state "this is utterly pointless" but like watching the aftermath of a car wreck you are almost compeled to keep watching to see how bad it really can get. It became screamingly obvious to me during the final scenes when hero leaps through a glass roof and the wires holding him up are CLEARLY visible in the shot, then of course it just gets worse. The gold pouring scene, the fighting scenes.... (I mean what did they do put out an ad "really really bad extras needed for a film - most extras are pretty good, the extras in this film are to be honest pathetic). I completely lost it though when the "bad queen" does a flip and lands on the "bad guys" back, did they just throw their hands up at that point and say - "hell don't hide the wires or anything just leave the damn thing as it is" As I said to my husband as the credits rolled "I think that is possibly the worst movie I have ever seen in my life" it is worth watching for the sheer horror of watching stars like Richard Chamberline, Sharon Stone, and James Earl Jones act in what appears to be a high school production with a budget of $1.75.