wendydanley Not the worst movie I've seen. But I would not recommend. The beginning was a good start, but only a few good scenes after that. Overall It was pretty boring

riversideriverside The film has the strengths aforementioned on this site. But the improvisation, and other scenes like it, in the house between mother and daughter near the end failed and were very annoying. And there was something particularly unbelievable about Ruthie's rebelliousness at one point when things improved for her and her mother. Luke Wilson's role was performed masterfully.

wwtriplet I liked all the characters. The actors all acted very nicely. I think Katie turned her best performance yet. I wish it could have been longer. It was a mother daughter story and that is who we learned about the most. I loved the combination of actors you wanted to know more because the performances drew you to them. For a first time director Katie seemed to bring out some hidden talent in Mark Consuelos. Stefania LaVie Owen is believable as Katie's daughter. Richard Kind seems to always turn in really nice performance and Eve Lindley was perfect for her role. Luke Wilson's performance was probably why I gave it a 7 . He good but not as good as the others. I liked the music and the location went with the story. The editing seemed to flow I've watched some independent movies were it seemed choppy or timing between scenes was to slow or to fast. I did not get bored. I watched to the end.

wrightiswright How many times have I seen the formula for this film? Answer: Too many times.An alcoholic woman goes on the run with her bratty but more responsible teenage daughter in a crappy car. Along the way they get involved in escapades involving slimy boyfriends, petty shoplifting and a transsexual waitress. The mother's currency of choice is sex, and she utilises it relentlessly to try and pay for her motor repairs, keep her new job and house etc. while her petulant child just mopes around and complains. A likable pair, they ain't.A shaggy dog story at heart with a few easily navigable pitfalls along the way, the movie struggles to hold your attention during it's far too drawn-out 100 minute runtime, finally even switching the personalities of the main duo near the end to create some artificial tension. This is done with absolutely no foreshadowing or fanfare, proving that the director Katie Holmes (who drove Tom Cruise to jump onto Oprah's sofa. As you do) cares a lot more about the predictable banalities of the plot than anything approaching character development.I'm sure there are much better films of this ilk about. What are they? No idea. How's about you do your own homework, lazy? 5/10