spyretto First things first: There are only few notable merits regarding this particular "experiment" but it is certainly not completely devoid of them: for one, the director attempted to create a counterbalance to what is universally considered as the problem of the mainstream pornographic motion picture, be it soft core or hardcore: the presentation of a mechanical, emotionless, unengaging, uninspiring and ultimately tiresome repetition of sexual acts aiming solely at the physical arousal of its viewers and probably achieving that in the first few minutes; rendering the rest of it as a distasteful and vicious circle.The producers misleadingly labelled it as "pornography for women", perhaps acknowledging the fact that the scenes are not explicit enough to present it as the hardcore pornography they would have liked. And a large portion of it probably isn't as it seemingly provides to bridge the gap between hardcore pornography and erotica and create a film that would ultimately excite the senses in both a physical but also an emotional level as well as provide an engaging storyline that would justify the sex scenes as a meaningful entity of the whole. If that was the initial intention, as the producers of AAA claim it to be, it certainly wasn't given justice by the end result - in spite of the fact that that premise and intention was probably there in the offing. This is less evident in the actual producer's cut or even the director's cut of the film but a lot more evident from the outtakes of several of the sex scenes included on the DVD: they are long, varied, passionate, well rehearsed and acted and emotionally engaging; while the camera work is such that makes them appear both sensual and realistic. They're shot in a way as to provide a clue to the fact that most of the sex in the film is unsimulated; but with a more cryptic, more erotic vision, contradictory to the average porn sensibility.It's not surprising that this film is described as a collaboration of a major mainstream pornographic production company and Lars Von Trier's Zentropa. But this dichotomy ultimately leans towards the side of the porn producers as they seem to win over the intentions of the director and probably some of the actors themselves who probably had a more concrete idea of what they wanted to achieve or rather what they wanted to avoid. As a consequence, although there is the actual "philosophy" of supporting the making of such a film - the existence of a "manifesto" in the like of Dogme95 that states the preferable and the avoidable - it all seems to escalate and ultimately fly in the face of that it was purported to be. Crudely put, there are facial ejaculation scenes; there is "cheap" music that is supposed to "complement" the sex - but in fact it is totally out of place. There is also a sorry excuse of a script and what is supposed to be a storyline but it is all done so poorly that can hardly conceal the fact that there isn't one. And most importantly: there is bad acting - which is quite surprising given the fact that some of the actors are allegedly unfamiliar with the territory and are earning their living from participating in more socially acceptable genres of film-making. However, judging by the actual acting in the film - give and take the sex scenes - either the levels of acting in Denmark are really low at the moment or these particular actors are hardly adequate in their chosen field. All the more so when particular emphasis is given towards presenting a story: the bad acting and lack of a meaningful plot to back things up create an even bigger problematic. Then there's the attempt to dress it all up with the addition of a supporting cast that comes straight from hardcore pornography; acting in more explicit and conventional scenes and overall giving a very uneven feel to the whole endeavour. Why add more characters and more scenes and "embroider" the film with what was supposed to be trying to avoid in the first place? Let alone make things even more complicated and disjointed when the leading characters themselves are so underdeveloped? It's therefore obvious that the initial intention was not shared by all of the people involved and consequently not sustained throughout the project - which is a shame and perhaps a wasted opportunity? The end product ultimately reflects those dichotomies: It's half-baked to such an extent that would equally disappoint both the fans of porn - because of the lack of enough explicit scenes they are accustomed to watching - but also those viewers who, deluded by the producers' promises, were prepared for watching something entirely different. It is different but not different enough to dissociate it from mainstream porn in terms of overall sensibility or production values. Finally some suggestions in case somebody else attempts something similar: give the director more artistic freedom to shoot what they like and present the film the way they like. Give them more time to work on it and have a more concrete picture as to what they aim to achieve. Lose the voice-over, especially when the script is so poor; get a decent scriptwriter to write a meaningful story, not an excuse for bad acting. Or perhaps simply give Lars Von Trier himself the camera and step aside...

fred3f Contains Spoilers, but the plot is not that deep so it shouldn't bother you much.The film is hard to categorize. It starts out being a mainstream film with a lot of sex and ends up more like a hard or soft core pornographic film. The actors and actresses are not the typical blue movie film crew. They act like normal people while having sex and none of them seem to have been physically enhanced, The star, Gry Bay, is a true natural beauty - not at all like the typical "silicone bombshell" that plays in the blue movies. The film as a whole has more serious plot and character elements than pornography, but not enough to convince me that it is a serious film.The movie begins very well. Anna is left for 5 years by the love of her life, Johan, because he has a wanderlust. She morns him for a while then decides to just "have fun" with multiple partners and no commitments. Eventually, Frank comes along, who cares for her. Even though he isn't the great love that Johan was, Anna likes being cared for, so they move in together. Then, Johan shows up as one of their movers. A multitude of conflicting feeling come in on Anna and Gry Bay is excellent at conveying them quickly and effectively. Also at this time Anna takes on a female roomer, Carmella. Johan knows he made a big mistake but doesn't know how to remedy it, so he makes excuses to see Anna again. These are some of the best scenes in the movie. In one very charming scene, he brings her a shoe that may have gotten lost in the move. Like a fairy tale he tries to put it on her foot to see if it fits. In another wonderful scene where sex becomes comedy, Anna and Johan start to make love, while Frank is asleep in the next room. Frank wakes up and they abruptly stop, just managing to get dressed with Johan leaving just ahead of Frank stumbling sleepily into the room. Up to about the half way mark, the film is quite successful. The characters ring true and the plot is interesting - dramatic with touches of humor. The sex scenes make sense in the context of the film and move the plot and character development forward. But after this point, everything changes. It is as though a different director and writer took over. Suddenly the plot seems to be there only to introduce the next sex scene. Character development is forgotten and the thinest pretext is taken as a motive for everyone to get undressed. What started out as a mainstream film integrating strong sexual elements, now becomes pornography trying unsuccessfully to cross over into mainstream.I won't bore you with the rest of the plot, if you can call it that. Basically we all know Anna and Johan will get back together, but first the plot has to be manipulated so that we can give some sex scenes to the roommate, to an different couple, to Anna with other people, and lets not forget the obligatory lesbian scene to say nothing of the big sex scene when they are finally reunited. It is a film that is difficult to categorize. I haven't seen a lot of pornography, but what I have seen ended up being mostly boring. This is better than that. But it is worse than a film like "Lie With Me" which really does integrate strong sex, characters and plot. All About Anna lives it in that frustrating limbo of "almost films" that whet your appetite but never satisfy it. There are some positives, however. The first half is good. Watching Gry Bay either clothed or unclothed is worthwhile in itself. She is a beautiful woman and an accomplished actress. She could have taken this movie somewhere if the script had been better. She deserved a better film.

Victor_Manzon An English language film shot in Denmark with a European cast, "All About Anna" is a co-production from Innocent Pictures and Zentropa Productions, best known in the United States for award-winning feature films like Lars von Trier's "Dancer in the Dark" and "Dogville" starring Nicole Kidman and James Caan. A slice-of-life mainstream romantic comedy with explicit lovemaking scenes, "All About Anna" is erotica made by women, for women and about women. Despite its graphic sexual content, It's not a shadowy dark night of the soul, as earlier, similar efforts like "The Devil In The Flesh" and "The Brown Bunny" strained to portray. It's simply entertaining and gently arousing, and aimed squarely at ladies and couples. Successful or not (and this critic feels, by and large, that it's a success) "All About Anna" represents a new genre: a fusing of the Northern European ambiance and pretty photography of that 60s classic "Elvira Madigan" (which this film more than slightly resembles, despite a much more upbeat ending), with a distinct feminist sensibility and startling, you-are- there hardcore photography.Danish director Jessica Nilsson (whose background includes both award-winning short films and cutting-edge music videos) brings a trendy indie sensibility to the film's visual style; the DIY-roots of Dogme95 and the association with Lars von Trier are combined to make "All About Anna" nothing so much as a lush tableaux of desire and abandon. The deceptively simple story focuses on young Anna (portrayed with an abundance of grace and style by mainstream Danish TV and music star Gry Bay), a young theatrical costume designer, who's focused on her career to the point of shunning romantic entanglements. But her concentration is shattered by a brief encounter with her ex- boyfriend Johan. As she begins to question her choices in life and love, Anna's dilemma ironically stems from her very determination to be an independent, self-actualized woman. While yearning for romance, she fears the pain it may entail - but even more, She fears loneliness even more. In a world where "no pain, no gain" seems to take on new meanings all the time, Anna is forced to make a life-defining decision. Loneliness is certainly one of the most universal subjects of European cinema, from Bergman's weighty meditations on faith to Truffaut's engaging slice-of-life comedies. Thankfully for everyone who dreads the pretentiousness that seems endemic to so much "serious" erotica, "All About Anna" cleaves to the latter camp. The much-ballyhooed unsimulated sex scenes emerge as nothing so much as a natural part of the storyline. This simplicity of the explicit content is heightened by the fact that the crew and actors utilized here obviously had no experience in making "adult" films. Indeed, porn fans seeking gynecological close-ups and standard-issue "money shots" should look elsewhere, as this is one sex movie that refuses to indulge sex movie clichés. In many instances, the camera operator's choice to shoot much of the lovemaking as a series of full body shots seems to actually work against the conventions customary to adult - but they speak volumes in terms of exteriorizing the inner lives of central characters.Beguiling Gry Bay (who, whether intentionally or not, is a dead ringer for the actress who played the titular character in "Elvira Madigan" nearly 40 years ago) is wholly believable both in and out of bed, by turns fetching, troubled, awkward, and sensitive (without ever being maudlin) in a performance that truly exists in a universe of its own, as if telegraphed from an alternate plane where "real movies" and "porn movies" are not mutually exclusive concepts. Eileen Daly happily lightens the mood in a winning supporting role, and French porn icon Ovidie is memorable in a lesbian liaison with Anna (although her Gothic, fetishistic look and personality would seem to suggest she'd be more at home in a Dario Argento erotic-horror opus than a quiet slice-of-life comedy like "All About Anna."A final influence on "All About Anna" appears to be American cult director Monte Hellman, who while having worked under-the-radar in the U.S. for over four decades, has long been heralded as a genius of the "quiet film" in both France and Denmark (He even recently renamed his production company Quiet Films, in a warm nod to his Danish fans). As the director of "Two-Lane Blacktop," and executive producer of "Buffalo 66" and Quentin Tarantino's "Reservoir Dogs," Hellman has made a career out of crafting somber, slice-of-life dramas that focus on the individual's Search For Meaning. Imagine Hellman being given a free hand to shoot his own explicit adult film, with a wry, literate script and more than a few knowing references to "Elvira Madigan," and you've got this precocious film, a movie that beats all the X-rated filmmakers in the world to the punch at creating an "adult movie" that's not only also a "real movie" but a truly "good movie" as well. "All About Anna" is a love letter from Denmark, written in English, sent from the heart, a "Vinland Saga" for American audiences.

krillen Let's get one thing straight, normal people have sex for real and capture it on video. They made a decent flick out of it. But it could have been so much more groundbreaking. In the end, Nine Songs went further when it comes to fully explicit content.The problems with this film were as follows. The director tried to avoid full hardcore shots even though the producers wanted hardcore. Her version of the movie is disjointed and odd. If you are disappointed with what was recorded, blame her.Plus, she seems to have hired her friends to work the camera and sound, because both were seriously unprofessional. Plus, at one point on the extra disc you spot a production camera they were using, something no better looking than a TRV-950. I know you may be low budget, but please get someone to pony up the cash for a GL2 or something.Basically this film seems like it was sabotaged by the director. I've seen amateur pornography with higher production values. Maybe in the future there will be another more substantial attempt at this kind of movie.