Jackson Booth-Millard I only found out about Aileen Wuornos because of a not very recognisable Charlize Theron playing her and winning an Oscar for the film Monster (ironically she won on Wuornos's birthday). Then I heard about this documentary by British filmmaker Nick Broomfield (Biggie & Tupac), featured in the book 1001 Movies You Must See Before You Die, I was happy to see any documentary about the real Wuornos. This film documents Broomfield as he interviews all those who knew Wuornos well and has had acquaintance with her. She was sentenced to death after being convicted for the murder of seven men, all victim to her shooting them when she was into prostitution, and her girlfriend at the time, Tyra moore, gave evidence in trial. The film mainly sees how Wuornos was exposed and exploited by the press, and Broomfield's ultimate goal is to interview Wuornos herself, and get some opinions and access from the two closest to her in prison, adopted mother Arlene Pralle and lawyer Steve Glazer. Obviously the final interview with Aileen Wuornos, before she is executed by lethal injection ten years later, is to look forward to, but I think the archive footage of Wuornos in court rooms and defending herself was extraordinary (in the bad way). Wuronos had a most foul mouth when it came to be being sentenced, saying such things as "your all going to Hell and I'm going to Heaven" and "I hope all your children get raped", in my opinion, she got what she deserved. Also with interviews and footage from Jesse 'The Human Bomb' Aviles, Cannonball, Sgt. Brian Jarvis and Mike Reynolds. Good!

amosduncan_2000 This film, and Broomfield's follow up, should be viewed by anyone who wants to reexamine their feelings about capital punishment. Wurous is abused by everyone, obviously at least half mad, and in a state of terror at being incarcerated. A ghoulish group of hanger ons try to exploit her at every turn (interestingly, the lawyer is given a questionable reprieve in the sequel) and even grease her path to the electric chair. The system to takes a crack at exploiting her "fame." Some dismiss Broomfield's work as egocentric and cheap shot ridden; I find it honest and actually quite compassionate. I think he was derided for presenting an unflattering portrait of the then in vogue Courtney Love. Well, looks like he was right on that one too. This is, I think, his strongest film. But see the sequel too; one the grim jokes turn themselves inside out.

johara333 The movie jacket claims this film is along the lines of Michael Moore's Roger and Me and Errol Morris' The Thin Blue Line, I wouldn't go that far. This film uncovers the injustice Aileen received throughout her legal process, but it was lacking stylistically. The lighting was poor, unnecessary pauses distracted the viewer from the content of the interviews, and the editing could have been cleaner. Regardless of these stylistic faults, the film's subject matter carries the film, that and Wuornos's chillingly perceptive outbursts in court. This woman's story--told correctly--is a valuable lesson to Americans and brings to light the need to reform the criminal justice system, which for Aileen, was corrupt on every level.

acky The grotesque and sinister Steven Glazer leads Nick Broomfield into a frightening tabloid current affair world in which serial killers have agents, The police frame suspects in order to get movie deals, I don't wnt to spoil to much of the disturbing thins that occur but Steven Glazer has some odd advice to give to his client.