junelepage Our Protagonist is both an idiot and an unsympathetic moron. It absolutely blows my mind why this character would be written by this. This is not a "character study". The Direction and Performances present him as a "family man" and a "loving dad", while the writing portrays him as a sociopath. Meshed together, it makes a sickeningly stupid film.

omendata In an age of despair and poverty why is it the film makers continue to churn out desperately sad and lugubrious movies like these I don't know!Yes the film explores what its like to be unemployed with a wife and kids losing your house and the need for some to resort to crime , I have been there myself but its not really the sort of movie I want to be watching.Maybe its just me but i want to come out of the cinema like I used to in what i call the good old days when you came out feeling enervated , uplifted and positive about life.If you are into this sort of depressing , dull and real life scenario then I guess you will enjoy it but for me its too close to home and doesn't leave the viewer with a positive outlook on life, so if you are depressed and sad or your life isn't going well I wouldn't watch this as you may be reaching for the razor!

MovieHoliks I saw this available on Netflix a little while back, and it looked to me like one of those countless direct-to-demand B-movie releases, but this film actually turned out quite good.Wes Bentley, who I read had taken an absence from acting due to a drug habit, returns to acting as a family man and insurance claim investigator, who upon losing his job turns to a life of crime. He befriends a detective played by Jason Isaacs ("The Patriot"), who I had to look up to remind myself who he is. He is quite good in this as well- gives a very subtle performance as a flawed, yet decent man, trying to do the right thing in a world that makes that difficult.Now I will say this about this film. Possible *SPOILER*. I actually expected much greater catastrophe than what actually ends up going down, and thought that maybe the director should have went down that path a little more, but overall, I enjoyed this film. If you're expecting an action-packed thriller, this is not the film for you- it's much slower- moving and more thoughtful. And kudos for a nice return-to-acting performance from Wes Bentley- I always liked his style; especially the way he can be so powerful with the expressions in his eyes. I've noticed this about him ever since his breakout performance in the 1999 Oscar winner, "American Beauty". Vinessa Shaw and Keith Carradine co-star.

Rodrigo Amaro The film's poster convinces us that what we're about to see is another ordinary action film, with touches of an empathic and gripping drama destined to make us support the main character's actions. Don't be fooled by that image. "After the Fall" is a good drama with small portions of action, and the latter isn't all that compelling or exciting. Wes Bentley stars as a desperate man who takes extreme measures after losing job and being unable to take care of his family, surrounded by debts after debts. His only option: committing crimes, mugging the residents of his small town. On his trail there's a decadent detective (Jason Isaacs) who is trying to catch this new suspect who appeared in town all of sudden, but they barely knew they would cross paths early on and become buddies who are stuck in saddening times, with their personal crisis and just trying to find a way to live their lives.More artistic than entertaining, "After the Fall" treats its themes by appropriating itself of some of Terrence Malick's techniques - though more conventional to mainstream audiences - with the use of the main character's narration remembering the lovely times he had with his family in their big house and their pool, describing the love and care he had for his wife and kids; and also appropriates of some "Breaking Bad" elements, without ever getting on the same level of greatness. Mr. Saar Klein's debut as director comes across as simple-minded, clichéd yet manageable and interesting due to the performances of Bentley and Isaacs (who steals the show, this time without playing the villain). Bentley was a decent anti-hero, you get easily involved with his obstacles, and enjoy each time he tries to help people in worst conditions than him (like the female cashier - but hey at least she has a job, awful but still), almost getting close to being a hero (helping the old man who spotted him before a robbery at a drugstore).And if the movie loses points is because of its lack of alternatives and unusual conceptions. Why the lead character never, at no point, tries to get another job? He's stuck in that weird business, still trying to impress his former boss when he's no longer part of the company in ages. That part was really strange. And since when stealing pocket money from other people can be enough to make one rescue his taken car? He survives from stealing to stealing, and it's all very unconvincing. I won't even mention the solution given at the conclusion which the writer simply fast forward with a plausible explanation. Here's another modern treaty about the swifty American dream; there's always crisis and always unexpected solutions but family always comes first. Even though you're about to lose them. 6/10