bmoore07 I'm sure a lot of people were involved in making Afro Samurai but I cannot discuss this show without mentioning the Wu-Tang Clan. It was an iconic rap group that dominated the 1990s, a team of seven members who served different roles in making the Wu-Tang what it was. Inspectah Deck introduced a philosophical feel to each song with his introspective rhymes, Method Man was the most popular member of the group with his infectious charisma, Raekwon and Ghostface Killah brought their Mafioso ideas into the Wu, Ol' Dirty B*stard injected his eccentric style of silliness into each song, GZA was among the greatest lyricists of them all, and RZA was the Wu-Tang's leader/producer. These seven rappers (along with an army of Wu-Tang wannabes, including Killah Priest, Masta Killa, and Cappadonna) created many popular albums in the '90s, including three hip-hop classics (36 Chambers, Liquid Swords, and Only Built 4 Cuban Linx) before Ol' Dirty died in 2004. After Ol' Dirt McGirt passed away, the Wu-Tang weren't the same, spewing out a few good but ultimately forgettable albums. They needed a spark, something that would help them bring great music back to hip-hop and keep them relevant, and that spark turned out to be… Afro Samurai.This 5-episode anime was perfect for the Wu-Tang, combining rap and a love for martial arts into one, and this is why RZA, my favorite member of the bunch, created this show's soundtrack. Afro Samurai is about a swordsman who witnessed his father's murder as a young boy and his blood-filled journey to exact revenge on the gunman who killed his dad. Before I became a fan of the Wu-Tang, before I watched a lot of anime, I checked out Afro Samurai with my little brother a couple of years back on Netflix and saw everything except for the last episode. At the time, I thought it was an excellent anime that could be improved, rating it a 7 out of 10. A few weeks ago, I decided to re-watch Afro Samurai to see if I still hold the same opinion of this show that I had before.Some theme songs are colorful and extravagant while others are complex and emotional. "Brief" is the first word I would use to describe the Afro Samurai opening, along with "disappointing" and "visually unappealing". Now you're probably saying "Okay, well the theme song sucks. Anything good about this show?" Like I said before, RZA created this anime's soundtrack and, of course, it's amazing, perfectly complementing each scene with a grimy, edgy mood (There's this one song, Stone Mecca's "A Walk", on the soundtrack that's definitely worth listening to). The acting in Afro Samurai is simply fantastic mainly because a handful of great American-based actors and actresses were brought to the fold; Ron Perlman, known for his work in Titan A.E., was the voice of Justice, Afro Samurai's chief antagonist, while Kelly Hu, who appeared in X-Men 2, served as the voice of Okiku, the seductress/spy for an evil organization, and the famed Samuel L. Jackson starred as both Afro and Afro's companion Ninja Ninja (Even Steve Blum and Liam O'Brien, giants in the world of anime voice acting, hung around as a random swordsman or two). Oh yeah, and there's an African-American protagonist here (a first for anime titles) as well as a couple of other black characters too (Always a thumbs-up for me). These are all the positive traits that I could find here.Afro is the titular character of this anime, and he's one of those quiet types. He's a lonely swordsman marked by trauma and frustration whom the show portrays as a figure deserving sympathy, but Afro simply comes across as uninteresting. Through Afro's quest in ancient Japan with robots and rocket launchers, other characters are introduced. Justice is the pale-skinned gunslinger/philosopher with a decent amount of depth but not enough to be particularly memorable. Ninja Ninja is my favorite, Afro's much-more-talkative sidekick who wittily comments on what he observes and gives unwanted advice to our protagonist. Along with Justice, other villains are after Afro's head such as Afro Droid (the producers are real imaginative with their character names, aren't they?) and the Empty Seven (reminds me of a group of seven rap figures that I mentioned before), but the true standout of them all is Jinno. The embodiment of fury, he is a man confined to a bear-like robotic armor who wields two blood-stained swords and is determined to slay the swordsman he once called his friend. Sadly, not even Jinno could save Afro Samurai from itself."This cannot be the entire series." This was the first thought that crossed my mind upon completing Afro Samurai. The over- the-top fight scenes and general lack of characterization could be forgiven but the head-scratching ending about non-violence really frustrated me. Afro Samurai doesn't deserve to be labeled a series; it's a barely above-average 5-episode bloodfest of an OVA with plot holes aplenty that fails to be seen as a serious title. It's one of the classic examples of a "turn-your-brain-off" show, the kind that action fanatics enjoy without thinking about aspects that really solidifies and legitimizes a series. You could call Afro Samurai overrated but I'm disappointed because I expected something better from an anime associated with the Wu-Tang Clan.

nthe_void Fist of let me say that the animation in this feature is superb. Unfortunately, due to the ridiculous dialog, I couldn't finish watching it. I love Samuel L. Jackson but something about feudal samurai yelling "punk ass bitch" and bars blasting RZA kills the atmosphere for me.I'm not opposed the mash up of genres, but I think that this one did not fulfill its potential. Perhaps its partially due to the fact that I not a big fan of the Blaxploitation genre.Additionally, the plot was rather weak. You killed my father, prepare to die etc. If you like movies like Shaft and you also like Japanese anime then maybe you can make it through the whole thing. However, I hear the ending sucks.I gave it a 5 for the visual quality of the film alone.

mirosuionitsaki2 Taken a lot of thought into this movie and I finally got my opinion all together in words. Let me first say that the ending of this movie, was just aching to watch. I abhor it. The effort they took into this movie just ended up being a disaster. I do not wish to wait for a part two, there was no need to add suspense to the story of the Afro Samurai. Largely because everything else was actually great. I guess I should share my opinion on the rest of the movie.Afro Samurai was above all one of the greatest anime movie I've seen, excluding the ending of course. It was a hip hop style anime movie chock-full of Romance, Action, Violence, Drama, and suspense. I've not had very much acquaintance with samurai television shows and movies, but I know they are just exhilarating to watch, after viewing this movie, or I should say mini series. What I found dramatic about this movie, however, was how Afro Samurai was treated when he was in his youngest ages, especially seeing his father getting slaughtered by number one. It caused him to seek revenge, and that just seems abnormal for a kid his age. Also, I thought it was heartbreaking as Justice killed Ninja Ninja, an innocent man who doesn't really deserve that! Maybe some of that anger Afro Samurai put into killing Justice was missing his companion.Revenge: After watching his father being literally being slaughter, head cut off by Justice, a man who was seeking to be Number One and became Number One, Afro Samurai seeks revenge on him, and starts training as a boy to kill him. He even killed a bunch of "brothers" at his young age! And also interrupted a man while he was having sexual intercourse by asking the man if he knew where Number Two was. When he denied he didn't know, Afro Samurai killed him.The Dream Reader: Afro Samurai has dreams while Otsuru heals his wounds, about his past life and his training to fight to be Number One. He remembers what he has done and all the pain he has seen.The Clan of the Empty Seven: Afro Samurai has sex with Otsuru, after it, Otsuru confesses that she has told the Clan of the Empty Seven everything, and they made a cyborg clone of him. Now he has to fight the cyborg who is basically a reflection who is faster than the one it's reflecting, so Afro Samurai has to act unexpected.Duel: Afro has to fight several people to get to Number One, and he learns a lesson during it about choosing revenge over the people he love.Justice: Afro has to fight Jinno, a man who was turned into basically a machine to fight Afro. Jinno seems to have lived in pain, and was once a friend to Afro. After, Afro battles the man he has been waiting for, Jinno. He then begins to fight Jinno again, and the suspense begins..I recommend this movie to all anime lovers out there.

zleverton alright, so i've real a lot of negative reviews of this show on here. Well kids, i'm going to defend this show, because there's a lot too it you guys are missing out on.Afro Samurai is the new anime produced by and starring Mr. Samuel L. Jackson, as well as high end voice talent like Phil LaMarr of Samurai Jack fame, and Ron Perlman, the man who is and will always be Hellboy.Like the great works of Shinichiro Watanabe, this work employs heavily the influence of western culture, specifically black western culture, which i suppose makes sense considering our stoic protagonist. now when i say black western culture, i'm not just talking about hip-hop music, i'm talking about Blaxploitation as well.for those of you who don't know, Blaxploitation was a sub-genre of the 70's Exploitation films that dominated the drive-in scene during that period of American cinema history. the most famous and accessible Blaxploitation films these days are probably the Dolemite series of films, the Shaft series, or the classic Sweet Sweetback's Badass Song. these films were, for the most part terrible, but they influenced a generation of post-civil rights urban youth struggling to find an identity into action. they were stylish, fun, and gave an overall message of standing up for yourself and being proud of who you are, despite their inherent sexism, these films were the Noir flicks of their day, gritty and edgy and bleeding style. theaters in the 70's that would carry Exploitation and Blaxploitation films also carried many Kung Fu and Samurai films, so when 70's funk culture evolved into hip hop culture, it wasn't so shocking that the children who idolized Sweet Sweetback, also pulled influence from Yojimbo and Zoatichi, in fact, one of those children of influence even did the score for Afro Samurai - The RZA of The Wu Tang Clan, a seminal rap group that not only incorporated samurai and kung fu films into their lyrics, but into the music itself as well.Okay, History lesson over, the reason i wanted to make you read all that is so that you have a better idea of where Afro Samurai is coming from, it is, for all intents and purposes, the coming together of cultures that are not, and have never been so far apart as you may think. a lot of people are also calling Afro-Samurai a child of the spaghetti western genre, which i suppose is true, but it must also be understood that the spaghetti western was heavily influenced by samurai films before them. Sergio Leone probably wouldn't even have a career if it wasn't for Akira Kurosowa's films.Now, onto the show itself. Afro Samurai is incredibly simple, but i say that in the most endearing way possible. being convoluted is not a prerequisite of having substance or being artistic. Samurai Jack, a long running and long praised show has proved this time and again. great stories like the Hellboy series of comics or the popular Battlestar Galactica show, are great because they manage to turn schlocky cheese into high art, by giving it a modern overhaul. Afro Samurai takes it one step further, to the point where the schlock IS the art. Anime is very much like our version of the Exploitation genre of yesteryear, it's very underground, but still holds popularity and knowledge in the mainstream, it's filled with shitty crap, but the good stuff is worth watching, and it has it's own very unique style that has influenced generations of artists who've been exposed to it. the story of Afro Samurai is very very basic, it's a revenge story because it needn't be anything more than a revenge story. it's intent isn't to change your life or make you weep for it's tragic hero, it's intent is to make your eyes melt and your heart pump, and maybe throw in a laugh or two. there's a saying: You Don't watch Kill Bill the same way you watch Shindler's List. that applies. shows like Afro Samurai and the vampire miniseries Hellsing are fantastic shows because they take from the well of culture not everybody likes to admit is there, and shows you something that takes it one step further, shows you what those film makers of yesteryear could have done with the technology at our disposal today. they work on a storytelling level because the stories are simple and have been told many times. they are human stories. the idea of Afro Samurai, i can say with some confidence, was never to get you thinking about our society like Ghost in the Shell or Neon Genesis, it's not that horse. Afro Samurai is meant to appeal to something deeper than your ego or your intellect, it appeals to your instinct. that's why it's so stylish. it's pleasure is purely aesthetic, and that is not at all a bad thing. Anime has a long history of taking from western culture and vice-versa, i like to think of Afro Samurai less as a corny bloodbath, and more a celebration of the corny bloodbaths we all know and love. western stories like Fist Full o' Dollars, The Good The Bad and The Ugly, and eastern stories like Ninja Scroll and Yojimbo. the standard for art these days is too narrow and too pretentious considering our history. i love Afro Samurai because it's not trying to deny all the things we hate to love, blood, gore, revenge, and i'm not saying that to be nihilistic or cynical. i'm saying that because it's true, it's just easier to justify revenge and blood and gore when we can come up with some over-convoluted plot to fit it into. well screw that.Enjoy.