Film Sales Chix Whoa, no wonder every single reviewer is trashing this thing. It's difficult to fathom how this drastically flawed script ever got greenlit by any producer. They must be imbeciles. This was so poorly written and produced that I can only guess that the writer and/or director were in some way related to the geniuses throwing money into this. Maybe it was a blackmail situation. Or maybe worse than that. Adding insult to injury, the "acting," if you can call it that, was embarrassingly amateurish. This lame-ass effort isn't even worthy of a b film classification. File this one away under "Nobody except twelve people will bother to watch this."

toneybrooks2003 Just too much amateurism to handle. The "young campaign aide" actor needs to stick with after shave commercials.

Daffy Deck State of Affairs was well received, it had a strange detachment to it where one felt a fly on the wall... pretty much one becomes a spy camera in the movie and it's definitely immersive. The strangest thing about the movie was it felt like being in the moment, as all good writer's director's and producer's aim to be, to create an atmosphere whereby one feels connected to the sentiments and drives or hopes and of course fears of the human condition. Usually, when a film makes you face certain truths, this can inspire one to reassess one's own life and, particularly relating to greed and sexual corruption. I think this movie can be undervalued by many when not realising that with so much power that can come to one, one becomes fragile and transparent. This is where truth illuminates us all. How do we transcend the depravity of sex, drugs and rock and roll? State of Affairs makes a generous expose of who we are behind the mask...

filmklassik Good looking, ambitious young politico sleeps and blackmails his way onto a Conservative presidential campaign and quickly reaps the whirlwind.This ultra-low-budget (it looks like it was shot with a camcorder), pseudo-sophisticated wanna-be thriller wears its politics on its sleeve. Once again, the Right is inherently evil. At one point a black character - a wealthy, hip hop impresario - tells a man of the Right that even if many blacks do share his Conservative values, "We still just n*****s to you." And the right-wing guy agrees with him! (He does everything but twirl a mustache)Another character - moderately selfish, yes, but compared with the others, a voice of reason - - has an extended riff about how the United Party (a stand-in for the GOP) is a bunch of "fascists" in favor of "selling guns to 7-year-olds and laughing while the cops shoot people in the street."Swell.Now, are there unsympathetic Progressives in this movie? Sure. A few. But their POLITICS are never questioned.But of course, no professional critic so far has mentioned this. Why? Because critics are Progressive themselves (most of them), and fish don't know they're wet. In their minds, it's simply a GIVEN that the Right is evil - duh! - so portraying them as such is simply hewing to reality, and hardly worth the mention. But I'll lay odds that if the LEFT was being portrayed this way, they'd definitely be writing about it. And deducting points accordingly. So I'll deduct points myself for the shameless bias ... as well as the threadbare production values, the incredibly lame plotting (a clandestine meeting in an underground parking structure? Are you kidding me??), the sometimes-good/often-mediocre dialogue, and the utter lack of suspense. Credit where it's due, though: It's refreshing to see a woman over 60 (Mimi Rogers) playing a sexually vital character, and the young lead (David Corenswet) gives a good performance. C-