Woodyanders Sad, lonely, bitter and disillusioned crack addict Alix (a remarkably brave, naked and electrifying performance by Ana Reeder) resides on the mean streets of Manhattan's Lower Eastside and ekes out a bleak and thankless existence selling stolen goods so she can support her dope habit. One day Alix overdoes on bad junk, passes out and gets dumped in an apartment hallway. Friendly and compassionate successful photographer Digna (a winningly sweet portrayal by Michael Hyatt) gives Alix shelter and tries to get Alix to surmount her drug problem so she can get her life back on track. Writer/director Rosemary Rodriguez relates the grim and absorbing story in a riveting and convincing no-frills documentary style: Luke Geissbuhler's rough, grainy, hand-held cinematography, the occasionally jarring editing, the grungy, homely and unglamorous extras, Jim Coleman's spare, bluesy score, the heartbreaking tragic conclusion, and the gritty urban locations add immensely to this picture's overall sense of harsh realism. The central friendship between the two main characters is painfully honest, moving and insightful. Reeder and Hyatt truly shine in their tough and demanding roles; they receive fine support from Nestor Rodriguez as Digna's apathetic, but basically decent boyfriend Anthony and Christopher Kadish as strung-out struggling musician Mark. Raw, credible and uncompromisingly hard around the edges, this strong and deeply touching indie sleeper rates as a total powerhouse.

lquisp This felt like MORE than a movie... it felt as if we had some sort of porthole into the lives of REAL people living the life of real addicts in a real city. The acting in this movie was impeccable. The characters were more than believable, they were so authentic that is was like watching a reality show. The human emotions that would trail across the faces and through the eyes of the characters followed by the desperation for the next fix... the slow sinking to new lows... each scene depicted the underworld that's out there and the selfish but pathetic lifestyle and thought processes of the addict, played out to their inevitable consequences. This movie was so real it hurt to watch it and various scenes have come back to haunt both my husband and myself for several days after having watched it. An amazing portrayal that maybe asks some questions but definitely has no answers only looks to us with empty eyes and open, shaky hands.

dbborroughs This is the autobiographical story of a young girl who gets hooked on crack and worse. At times this is an incredibly painful film to watch as we go through what it takes to live on the street and to get enough money to get that days fix. The performances are more often than not right on and the film can carry you along in rather unpleasant ways. The trouble is that as good as the film is it can, at times, come off clichéd. This is not the first film to depict life of an addict and so some of it seems like we've seen it all before. The film making is at times too polished and it grinds against the grittiness of the story.My rating of 6 out of 10 might be a bit low. Intitally I was more up with the film, however in reading on the film I cam across a few negative reviews and my thoughts of the film have been undergoing a revision due to valid points that were made. Still I recommend the film to anyone who likes real life stories, or independent film making.

Jason Olshefsky (Jayce) I was very glad to have other plans turned upside down so I could be graced to see this film at the 2001 High Falls Film Festival in Rochester, NY, USA. I found that the dry, honest directing coupled with the documentary-style cinematography tended to galvanize the film into my mind. It's been about a week now, and I still crisply recall scenes as if I had lived them myself.To elaborate, there are three things I think are key to making this film as good as it is:First, the entire feel of the picture is documentary-like. You're presented with a chronology of events about a young woman living with heroin addiction on the streets--I found it particularly remarkable that it does not beg for pity ... it really doesn't force any emotions at all, but simply offers the subject matter honestly for the observation and judgment of the viewer. Unlike most directors of this and other charged subjects, Rosemary Rodriguez chose to present the subject in an almost matter-of-fact manner.Second ... wait: for these last two points let me just say that I have no experience whatsoever with heroin or any other drug, so my opinion is tainted with copious ignorance. ... Second, I was stunned at the realism of the drug use in the film. I really believed the people in the film were using heroin and that each of them responded in a manner consistent with how I thought they should. There wasn't even a hint of the fantasy world of drug use propagated by movies like Reefer Madness.Finally, Ana Reeder was amazing. There was not a frame of footage when I thought I was watching an actress. I swear this girl was hooked on heroin and actually was living the life of her character. I am generally fascinated by the craft of acting, but once in a while I am confronted with a scene like the climactic breakdown of Alix where it is beyond my comprehension altogether how someone can possibly act that true to life but really be acting.