Horst in Translation ([email protected]) "Im Winter ein Jahr" is a recent film by Caroline Link, the Academy Award winning filmmaker of "Nirgendwo in Afrika". It's based on Scott Campbell's novel. Bierbichler and Herfurth got lots of acclaim and awards recognition for their performances here and same can be said about Niki Reiser, who produced the score and Link herself. Reiser already won 5 German Film Awards for his music work, some of them for other Link projects.The story can be summarized quickly. A woman comes to an artist and orders a portrait of her daughter and her late son. The artist gets deeper and deeper in the family history as he has his painting sessions with the young woman. All the characters are pretty interesting. Herfurth's character is very straight-forward, but also very fragile and clingy when she makes a connection with somebody. During her breakup scene I was worried she might hurt herself as well, just like brother did. Then the mother has her own struggles. Obviously she had much more of a connection to her son than to her daughter and she tries her best to keep up the fake idyllic world scenario. One example would be when she lies to the artist about the reason of the son's death. The father is a successful, overly ambitious scientist who struggles with interpersonal relationships, however. It's not free of flaws. For example I was not entirely convinced about how quickly he was captivated by the family's secrets and history and got totally involved, even with his own history of lack of personal relationships. Also the dancing sequence which was supposed to work as the female main character's big moment of freeing herself of her boundaries and finding happiness did not entirely work for me. On the other hand, the last shot with the final quote was very well done. It also shows us that Herfurth's character is the center of the story and not Bierbichler's."Im Winter ein Jahr" was honored as the second best movie of the year behind "John Rabe". It's certainly not my no°2 of the year, but I agree that it is a pretty decent work and all in all I'd recommend it. It's especially worth a watch for Herfurth's performance who proved herself as one of the most attractive and talented young German actresses once again.

RKBlumenau A complex film with good performances all round, but Karoline Herfurth as Lilli (a young dance student) is quite outstanding, expressive in face and physical movements. My only criticism is her terrible diction. My German is good, but without the English subtitles I would have understood very little of what she said. The suicide of her brother left her with very mixed emotions: she loved him but at the same time was jealous of him because he was their parents' favourite. The parents, whose relationship with each other is also fraught, never ask her anything about how she feels. An elderly painter who has been asked to paint a double portrait of the siblings (her from life, him from photographs) is the only person who is interested in finding out what she felt about her brother - and that is initially only so that he can get some idea of how to portray them. She is rebellious, vulnerable, and looking for love (in the wrong quarters). The film is very long, (two and a quarter hours?), partly because there are a couple of sub-plots which might perhaps have been cut, and the ending is also rather drawn-out, with one mawkish false note (in my view) right at the end.

Movie-Jay The Toronto Film Festival was seen by some as not containing very many home runs, especially after the litany of great movies from last year, from "No Country...", "Juno", "Michael Clayton" to "Into the Wild" and "Atonement". But I submit that this year was top-heavy in foreign Oscar potential, from "Waltz With Bashir" to "Gomorra" to this wonderful drama.Caroline Link is a first-rate director all the way now with this follow-up to "Nowhere in Africa". You watch this movie and you're sucked in after about 10 minutes and you have the feeling that the director is totally in control and everything is running on all cylinders.This is a family-drama based off the novel "Aftermath", written by a north-eastern American and set in New England I believe, but taken to Germany where it plays just as well because the themes are universal. Not entirely unlike "Ordinary People", the movie follows an upper-crust family that loses their teenage son in an apparent hunting accident. We spend much of the time with his older sister, a dance/theatre student, and a professional middle-aged painter who lives alone in a studio-flat as he's commissioned by the mother to paint a portrait of the two siblings as a remembrance. Lilli, the daughter, played by Karoline Herfurth (one of the unfortunate victims in "Perfume") thinks the whole idea of this painting is insane. She's wise beyond her years, tough and engaging, precocious, but tests her sexual prowess in ways that cause her more aggravation once she gets the attention which show her physical age.Her performance and the way she relates to the painter are the key in this movie, and they find they are kindred spirits, both nursing personal wounds. The parents are mostly distant, but every one of their scenes reveal a depth of feelings and signals, especially from the mother, that the younger son was the glue that held the family together.I loved this movie. I loved every single scene, and there wasn't a wasted moment. It doesn't ever strain for melodrama but sees it's characters from a level gaze, revealing wounds and themes of loneliness and shame that are very maturely handled by director Link. Kudos as well for a very good music score that serves the tone of this movie excellently.Watch for this movie in the foreign film category come Oscar time.

joopgij I am impressed after watching this movie - in Toronto - . It's a real " small" movie, though i saw it on a big screen in Ryerson Theater. I think it was even the world premiere. I was impressed through the play of the leading characters, and the theme was very interesting.But I have one question: the name of the painter (so not the one in the screening, but the real one). The director mentioned his name in the Q&A, but I did not make a note. The paintings were beautiful made and i looked for the painter in Google, but could not find a name. Only some not cached entries that the Albert&Victoria Museum should have acquainted the paintings, nut because it was not cached i can establish this.