SnoopyStyle Claus M. Pedersen leads his Danish troops in Afghanistan. Back at home, his wife struggles to raise their three children by herself. Claus helps treat a village girl and her family becomes a target for the Taliban. Claus' men get pinned down and he calls in an airstrike. He is charged for the deaths of eleven civilians.The action on the ground feels documentary-real. Everything else feels less compelling. The court proceedings lack tension. It's pretty straight forward with a non-surprise twist. The court case needs something special. It's too reserved to be exceptional. It tries to state the complexity of war but it doesn't have the complexity of storytelling.

Bene Cumb Modern local conflicts and crisis areas have brought along a different approach in depicting military activities - confrontations without clear battle fronts, with a foreign military mission in assisting role. But as, in essence, there is a war going on, one is unable to predict every next move and incorporate all situations/events into specific legal framework; in the event of military events, there are always casualties.Such is the background and essential point in Krigen, where the Danish Company commander Claus M. Pedersen (solidly performed by Pilou Asbæk) has to equally deal with both a severe accusation against him and his family (the characters of his spouse and three children seem to be more dynamic and interesting than those of officers and soldiers). I know that legal proceedings are not snappy, particularly among the Danes who are curbed and reticent, but still - the plot is a bit slow and arid, often uncovering the documentary aspect rather than that of a feature film, and the solution and the final scene are too plain. All this is just a narration running its course, and most of otherwise good and distinct actors have nothing profound to perform. Krigen is not a bad film, but not at the level of e.g. Tobias Lindholm's Jagten or Submarino. For me, Krigen is a less intensive and less diverse than some related films, e.g. Stop-Loss or Brothers. Despite having an Oscar nomination, I would be surprised if it gets this award.

David Ferguson Greetings again from the darkness. Distinguishing between right and wrong has always been pretty easy for me, which probably explains my fascination when a good book or movie presents a decision weighted by moral ambiguity … especially one involving life and death. Such is the case with writer/director Tobias Lindholm's (A Hijacking, 2012) latest, which has been Oscar nominated for Best Foreign Language Film (Denmark). It's tension-filled and overflowing with moments that will make you question yourself and your beliefs.Three parts make up the whole, and each segment brings its own pressures and is presented with its own camera technique. We see Commander Claus Pederson (Pilou Asbaek) leading his squad of Danish soldiers in their Afghan peace-keeping missions. The film bounces between these boots on the ground and Pederson's wife (Tuva Novotny) back at home in Denmark trying to maintain a sense of normalcy for their three kids. The final act is a tense courtroom drama that will undoubtedly mess with your head.Mr. Asbaek ("Game of Thrones" and the upcoming Ben-Hur remake) is spell-binding as Commander Pederson. When a land mine causes the loss of one of his men, Pederson proves that he is no desk-jockey, but rather a leader by example. He has a calm presence that inspires his men, though his fearless approach is quietly questioned by some. His in-the-heat-of-the-moment decision with his squad under fire saves the life of an injured soldier, while also resulting in a tragedy that could affect his military career, his family life, and his freedom.It's interesting to see how director Lindholm parallels the struggles of Mr. and Mrs. Pederson … albeit in different worlds. The personal and emotional challenges are everywhere and affect everyone. The 3 kids miss their father and struggle in their own ways with their new world. The wife misses her husband and battles to keep the kids in line. The husband misses his wife and their closeness. He also misses the little joys that come with being a (present) father. The soldiers struggle with their orders to patrol a community that doesn't seem to want them. Even the community struggles with the constant threat of danger.Commander Pederson's fateful decision is the focus of the courtroom drama. The dilemma faced by him and his men is truly a no-win situation. His job was to protect his men while also protecting the citizens of the community. It's a judgment call in the heat of the moment. Either decision would be right and either decision would be wrong. The issue on trial is so complex that it's very likely the desired verdict would be split among those in the theatre. When Pederson's wife tells him "It's not what you did that matters. It's what you do now." We certainly understand her, but do we agree? Is it possible to judge a war crime when lives are in immediate danger? What would you do? Unless you've been in those boots, it's impossible to know. The best intentions can be eclipsed by a will to live and quest to save those for whom you are responsible. Is lying ever OK, and if so, what is the fallout? How does it impact you, those you love, and those whose respect you have earned? This is an exceptionally well made movie with a script that constantly has us questioning our morals. while providing no easy answers.

sheddenmatthew Krigen (A War)Krigen centres around Commander Klaus Michael Petersen as he serves in Afghanistan. At the same time as this his wife (Maria) and children are followed as she deals with the struggles of being a single parent as your other half is risking his life to preserve the peace thousands of miles away. Having some time to reflect has lead me to conclude that this is one of the best and truest dramas I have seen in a long time. A lot of this is down to the writing, Tobias Lindholm for me is one of the best dramatic writers working at the minute. It just feels so real and genuine, and the normalcy makes the situations where it's really dramatic have even more of an impact. Lindholm's directing also lends itself to this 'realism' as a lot of it is done with handhelds instead of steady cams. The performances are fantastic across the board, however I can't really point anyone out in particular, not in a negative way but more, again because of the writing. No actor gets this meaty, grandiose dialogue because in real life nobody does that, it just all feels real. There are moments when you really feel the emotions going through the characters. Very early on - and this isn't really a spoiler - but there's a death in the regiment and one of the departed's squad mates is struggling to come to terms with this and their involvement in Afghanistan as a whole. This leads on to another point I was pleasantly surprised with, to do with the plot. There's been a lot of talk in recent years about how we're not being told about misconducts in the Afghanistan and soldiers are the bad guys but this, it never strays into that, rather depicts decisions made in the moment - decisions that none of us wouldn't do ourselves. To me anyway, I found how that was told strangely refreshing. Also something I want to touch on is the sound, or lack of it in this case. There is very little background score which is really effective when it comes to drama and I wish more filmmakers would do this.I'm not lying when I say that I'm struggling to find anything bad to say about this film, possibly the switching back and forth between Claus and his family may be slightly jarring for some, taking you out of it a bit, but I really don't know how that could have been fixed without taking that early character building stuff with Maria and co. out, something I'm really glad they didn't.Looking this up on IMDb I saw that Tobias Lindolm was also the man responsible for one of my favourite foreign films 'The Hunt', which really didn't surprise me as that also was also really effective in telling a down-to-earth story. Danish cinema feels like something of a hidden gem as not a lot talk about it, yet the standard of filmmaking is so good! I don't really know if I think this is better as 'The Hunt' got me really emotional which this didn't as much, but anyway if I had to give it a score I'd say a solid 9 Danish Pastries out of 10.