A Taste of Blood

1967 "A ghastly tale drenched with gouts of blood spurting from the writhing victims of a madman's lust!"
4.7| 1h57m| en| More Info
Released: 09 August 1967 Released
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Synopsis

A businessman turns into a vampire after drinking brandy laced with vampire blood and sets out on an odyssey of killing the descendants of Dracula's executioners.

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Scarecrow-88 Herschell Gordon Lewis' own Dracula film is considered an overlong bore by many vampire (and HGL) lovers of the Bram Stoker character, with limited gore and extended takes of acting and dialogue in real, authentic locations in Miami. Uncharacteristic for HGL, "A Taste of Blood" is just about 2 hours in length and he admittedly took greater pains in setting the lighting and allowing for his performers to explore their characters with more depth. President of a company, John Stone (Bills Rogers), receives a package containing a small chest with two wine bottles inside containing the blood of Dracula. Stone, thinking the bottles are filled with wine, takes a drink, and after multiple tastes of the blood slowly is overtaken by the evil of Dracula soon pursuing humans when he runs out. Using a blue light and pasty make-up, Rogers is presented as a Dracula more akin to a zombie in Bob Clark's "Children Shouldn't Play with Dead Things" than the Hammer movies. While not as overly gory as the renowned "gore trilogy", there are some instances of bright red stage blood and open wounds (the most gruesome is where a female victim's throat is torn open by a voracious, unhinged Stone, fully overwhelmed at this point by Dracula's power). Because the movie is so dialogue-heavy with plenty scenes of characters talking for great lengths, I imagine (and have read) that this particular movie will fail to generate the same order of jovial fandom as HGL's schlocky, campy, gory splatterfests. That may be the problem: his fans expect the absence of restraint, having embraced the gratuitous nature of HGL's movies, wallowing gleefully in the over the top performances and violence. Elizabeth Wilkinson is Helene, John's concerned wife who can see the personality change, her life soon in danger when he finally becomes completely vampire; Bill Kerwin is Helene's doctor friend, Hank (he's in love with her), who she confides in. Otto Schlesinger is Howard Helsing, one of the last descendants of those who killed Dracula in danger of being a victim at Stone's hands (Stone went to London on "a business trip" killing several of the descendants of those behind Dracula's death), appealing to Hank for help. Wilkinson, while not much of an actress, is quite a pleasure to look at (I found my eyes always wandering to her boobs, although she is costumed in tight-fitting wardrobe elaborating her nice curvaceous figure). HGL has a small part as a British seaman (he even uses British dialect!)! The film includes all the requirements of vampire movies: the danger of the sun, annoyance of the crucifix, and the staking of the heart is how to kill Stone's vampire.
MartinHafer A man receives a package from England. Inside is a letter stating that he is the sole heir to a family fortune and title. Additionally, the letter states that enclosed in the box are two bottles of the finest family-made liquor and that he should make a toast to the family and his good fortune. Unfortunately, the brandy-like concoction is laced with the blood of Dracula and slowly the man changes to a vampire. Additionally, the blood fills him with a desire for a vendetta--a vendetta to kill the living relatives of the people who killed Dracula a century ago. In a real change of pace, 90% of the film is set in the Miami area--certainly a big change from previous films.I really am not exaggerating in the summary--this looks like a lower quality community theater group performing a modern reworking of Dracula. While this may sound pretty bad, for a Hershell Gordon Lewis movie, this isn't that bad. In fact, I'd place it in the top half of his films for quality--though it still isn't that great. The worst thing about the movie is the rather uninspired acting. Most of it isn't terrible--none of it is particularly good. The second worst thing about the film is the direction--it shows no imagination or style whatsoever. I've seen many homemade videos on YouTube that look as good or better. But, there is something decent in the film--the story. While doing yet another Dracula film isn't something we really needed, the story shows more originality than manner of the Hammer Dracula films! It is a novel idea...and that's something!
gweegweeisgood PRobably HG's most ambitious project even more so than 200 maniacs, and I really loved it. It is very talky but unlike other HG and exploitation flicks the acting from bill rogers and willy kerwin is quite good and makes you care about the characters and what they have to say. Since its an HG flick we have some gore but its not one of his intensive gore flicks. There is a great scenes where the vampire stone takes a nice chunk out of a stripper dancer. I do have to point out however that almost all of HG Lewis flicks have a certain style to them to make you know its an HG Lewis flick. There's the out of focus closeups, lingering gore scenes, but there is also these horrendous day-for-night shots. This movie is no exception to that as the last 20 minutes feature some of the worst day-for-night shots ever filmed. Bad movie lovers and exploitation fans should be very pleased.
Joseph P. Ulibas Taste the Blood of Dracula marks a first for H.G. Lewis. He actually made a film that doesn't revolve around his gross-out set pieces. However, this movie is slow and painfully boring. It's a celluloid glacier. In my life I have never experinced such a slow movie (and I've seen many films). I wouldn't recommend this film to my worst enemy. A word of advice to Mr. Lewis, "Don't stray away from a winning formula!"Not recommended. Not even for insomniacs because I'm afraid they'll never wake up.D for effortP.S. I'll give credit to Mr. Lewis. At least he tried to do something different. Others wouldn't even take that risk.