Theodore Zuckerman Blanche is no more neurotic than the rest of the mumbling characters, but the most vulnerable (not having enough income to be able to get her own apartment), so it is she that gets marked to be the scapegoat, and gets carted off to a "mental hospital" at the end.Before that climax, you see a troop of impossibly over-emotional people yelling and throwing things. I thought I was watching a nature film about chimpanzees.

elvircorhodzic A STREETCAR NAMED DESIRE is a great film that pulsates in plenty of passion, cruelty and sharpness. This is a character drama in which you have a very complex and contradictory characters. Scene are scary realistic and relentlessly. I agree with the individuals that this film is milestone in Hollywood. This fact does not apply exclusively to acting. It includes the atmosphere, expression, music and partly scenery.The film is the true wealth of visual succubus. Of course, it's not nice to look at any kind of abuse. However, in this case the abuse is caused by the hopelessness, loneliness and insensitivity. Physical confrontation is tangible and real, full of fury and passion. It's funny to talk about conflict of aristocratic behavior with workers' hooliganism. This is the conflict between reality and illusion.In some scenes are definitely feel the excess energy turns into violence, lust or passion. A dramatic illustration of life in a society that fails. It is a story of anguish and tickles your fancy. Perhaps in this case, censorship is welcome. Let's leave aside the realism. Violent emotions are completely exempt. Therefore, we can talk about immorality, profanity and sinfulness. Two sexually voracious women express their sexuality in a completely different way. Violent husband who does not understand anything beyond his world and a bit confused suitor who recognized something different from the crude everyday.Vivien Leigh as Blanche DuBois, her amazing expression, expression, emotions and mood swings are memorable. Torment and tragedy of a woman who at any time he wants to be a lady. The fight led by herself, which is caused by the suicide of her boyfriend from her youth was an incredibly passionate. After all appearances breakdown preceded by a brutal rape (which should mean a sort of wake-up) and brings it to a complete collapse. Her performance is truly moving and flexible.Marlon Brando as Stanley Kowalski is brilliant. A loud, healthy, brutal and energetic male in shirt lesser of two numbers. It's amazing how much sympathy garnered immoral, smelly and sexually charged character. However, it is generally attentive husband who expresses his own frustration with physical force. He managed untangle a ball and unfortunately "punish the cat" in his own way.Kim Hunter as Stella Kowalski She's a young woman, torn in all directions. Character, which is a connection between two irreconcilable character. Pregnancy, beatings and stress are somewhat confused. It is interesting that she enjoys the rough, almost animal sexuality by her husband. Karl Malden as Harold "Mitch" Mitchell was somewhat embarrassed and shy suitor who wants to please his mother, who was on the bed. Uncouth character who is actually in the end defeated.Very realistic representation of the human tragedy through the game of shadows, violence, lust, passions, dreams and needs.

lillismonica I got this DVD from the library and settled down on a Sunday afternoon to watch. Possibly, it was one of the worst films I have ever seen. There is no plot, no action, it consists of the female character, blanche getting more pathetic, in her quest to lure a local bachelor/ and/or her brother in law, as she stays at her sister and brother in law's home for months. and it's unclear if she is mentally ill or just an over the top drama queen/exhibitionist. The so called 'smouldering sexuality' and 'chemistry' between brando and the character just looked like pure hate and aggression. Maybe the novel is better. Don't waste your time.

snord-94860 Absolutely fantastic, there are no two ways about it. The movie is a testament to the fact that to be great, it isn't necessary to rely on visual effects or cheap gimmicks. If any aspiring actor has a question of how to do a character, they need to refer to any actor or actress in this film because truly they do an amazing job. I can't emphasize enough how beautiful it was. What continued to add to the greatness of the film was the cinematography and production design. It was simplistic, but effective. The use of the focal points, such as the mirror and framing faces did an outstanding job of allowing the audience to connect with what was going on. The last amazing element of this film was the sound design. The only way to describe it is "spot-on." In contrast to many other films that use noises and soundtracks to distract the audience and force an emotional response, the sound design in this film simply amplified what was already brought by the plot and actors. Never did it feel out of place or overbearing, but it felt as though it was inviting me as an audience member a moment to react first and then the noise/ soundtrack was used to confirm my thoughts and feelings. The only complaint that I have was the ending. I felt the same way with "On the Waterfront," but due to the rules in film at the time when the two were made, their endings do make sense. However, it is unfortunate. Pros: Acting was astounding. Sound design was beautiful and inviting to the audience. Cinematography and production design were both simple, yet powerful. Cons: The ending. That is my sole complaint with the movie because it was absolutely brilliant.