A Star Is Born

1976 "For anyone who has ever loved..."
6.1| 2h19m| R| en| More Info
Released: 19 December 1976 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Drunken, has-been rock star John Norman Howard falls in love with unknown singer Esther Hoffman after seeing her perform at a club. He lets her sing a few songs at one of his shows and she becomes the talk of the music industry. Esther's star begins to rise, while John's continues to fall. She tries desperately to get John to sober up and focus on his music, but it may be too late to save him.

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Vonia A Star is Born (1976) Director: Frank Pierson Watched: 6/5/18 Rating: 5/10 Forgive my bias, No need to "Watch Closely Now", This is Streisand's show. "Evergreen" story- Rising woman/falling man, Fatal mismatched love. Gorgeous mise-en-scène, Epic rock concerts/fun songs, "Everything" else schmaltz. I "Believe in Love", But there was no chemistry Between these two leads. Film crew grieved "Queen Bee" Streisand; Good films need more than a voice. Haiku Sonnets are comprised of 4 3-line haiku plus a couplet of either 5 or 7 syllables, adding up to 14 lines, the same number of lines found in a sonnet. (5-7-5, 5-7-5, 5-7-5, 5-7-5, 7-7/5-5) #HaikuSonnet #PoemReview #GoldenGlobesBestPicture #Musical #Remake
smoke0 I had to search high and low till I found some definitive info about the Bradley Cooper / Lady Gaga remake, and that plot is basically closest to this film, but with country music instead of rock and pop. So I decided to give this film another look, and I was glad I did.Initially, I had hated this movie, and that had to be because I was too familiar with both stars' music and personas, and I, like a lot of others, distanced myself from the characters and the story, and could not give the film a chance.But something strange happened when I watched it again, with a distance of many years, and with the two stars having passed into legend status and not so ubiquitous or familiar now...I actually bought into the story ( for the most part - sorry, but no way a crowd waiting to see a beloved hard rock band is going to sit still for any lounge act shtick, much less cheer for it ), I believed the two admired each other's talents, I believed they worked together on music, I believed they loved each other ( yes, some of the love scenes are cringe-worthy, but now only because watching any couple being extra lovey-dovey is basically cringe-worthy ), I enjoyed looking at the hair and clothing ( although most of it was outdated even for that time period ), and I actually teared up at the end (!?, yep, I did ).So, due to the fact that this film is now just as dated as the other three, it is now just as enjoyable, and I advise giving it another chance.
shelton_k I swear when I first saw this movie,I cried my eyes out! A STAR IS BORN is the movie that lets you know what love is really like despite the obstacles John Norman (Kris Kristofferson) and Esther (Streisand) face. You also experience what it's like to lose a love like that by the end of the movie. Streisand and Kristofferson have such great chemistry together and the music is fantastic! When Streisand sings With one more look at you/Watch closely now, it's just pure magic! This movie made the song Evergreen one of my favorites,and Queen Bee is such a fun song. Also I love the fashion of the '70s (except Streisand's afro. Besides that,she's a beauty.). A Star is Born is my number one favorite movie. This movie is a pleasure to watch and is a heart-breaker at the end.
Isaac5855 Barbra Streisand brought her own vision to A STAR IS BORN, the third version of this classic Hollywood story about the romance between an up and coming star and her alcoholic husband whose career is fading into oblivion. Streisand put her own stamp on this movie, making the story more acceptable to her and more accessible to 1970s film audiences. She changed the setting of the story from films to the world of music, making her Esther Hoffman a struggling singer who is discovered by an alcoholic, self-destructive rocker named John Norman Howard (Kris Kristofferson)who grooms her for stardom while his own career falls apart. We all know this story and have seen either of the previous versions and some were unsettled by the fact that in this version, John Norman doesn't commit suicide, he is killed in a car accident instead, taking away a lot of the power of the story. The point of the original story is that the actor sacrifices his own life so that his wife won't give up the career she's worked so hard for. One of the most amusing parts of the original and 1954 versions is the whole episode about Esther changing her name so it looks better on a marquee. Here, our feminist heroine, Esther Hoffman, refuses to change her name and for me, this small but vital plot points diluted a lot of the power of this story. This production is overblown and uneven. It should be understood that Streisand was just on the edge of insanity while making this film. She was involved at the time with future film producer Jon Peters, who was running her career and her life. Peters butted heads with leading man Kristofferson as well as credited director Frank Pierson, who pretty much directed this film in name only...Streisand and Peters had the last word on everything regarding this film, much to its detriment, due mainly to Streisand's complete trust in Peters, who really knew nothing about film-making at this time. But no matter what else she does, this movie comes alive whenever Streisand sings. Highlights for me were "Queen Bee", "Woman in the Moon", "With One More Look at You" and, of course, the Oscar-winning "Evergreen." With all the hats she was wearing while making this film, needless to say, Streisand was not very focused on her performance here, which can be described, kindly, as uneven. Kristofferson, in a role originally offered to Elvis Presley, is strong and surprisingly sexy as John Norman Howard and Gary Busey also scores as John Norman's manager. For hard-core Streisand fans only.