tajithwishva It Was Emotional When I Watching It, I Felt How Its Like To Live Without Someone You Love. This Movie Really Touch Bottom Of My heart

o c Skipping the summary. Y'all know what it's about :) I am in two minds about this film.The problem: it's visually so flawless that it's dull.Clean frames, clean spaces, less life and more a homecare catalogue. Even Colin Firth sometimes stands no chance, fusing into the background like a bland aging model. The washed-out 60s palette doubles down on the impression.Make no mistake, it's kind of the point. Ford's work is to be watched through the main character's lens. And life is no longer exciting for George. Most of the time, he seems to be savoring the clean elegance of his surroundings with last-minute appreciation of a leaving guest. Rarely does his pulse speed up and the colors regain intensity.And you'll know it's not just my fancy wording once you see Ford play with the hue.Still, something feels off. I get the idea, but I don't get the message. It all doesn't move me much.Tom Ford is a fashion designer, and apparently a movie designer, too. So much so that in every scene I identified the effect at which he aimed and the detail, color, composition type intended to achieve it. It was like watching a series of artistic photos. You could pause at any moment, put the screen in a frame, hang it on a wall, and voilà!But it was so premeditated it lacked the flow. And it lacked life. A clock became a blank symbol of passing time; a pretty girl in a perfect 60s make-up - a metaphor of the epoch. Everything so universal and emblematic that I couldn't bring myself to care.And even now I'm still divided. Cause that might have been Ford's intention all the time. To have you experience first-hand how life feels to a person who's lost purpose. A washed-out collection of symbols.Yes, I have that much faith in him. I might be reading too much into it, but in some ways Ford's movies are a game-changer for me.This will be 7 out of 10. But it might well be a 6 or an 8, too. I don't know. What a maddening film.

Joshua Tylee Crossing my radar fairly late and with zero expectations, I was moved to tears by it's realistic depiction of an existential quandary similar to my own personal experiences.The pacing empathically guides you through with Colin Firth's heavy breathing grief and gently lifts you up through romantic chance encounters and difficult revelations, all visually stylised as some beautiful, melancholy fashion magazine dream.This truly is an adaption that will conjure some jealously and heaps of inspiration to other directors and should go without saying that the costume, set design and photography is flawless.TLDR: Beautiful

SquigglyCrunch A Single Man follows a homosexual English professor in 1962 whose boyfriend dies and finds it difficult to continue living life afterwards. The plot is one that we've all seen before. The only real difference is that it's a homosexual relationship over a heterosexual one. And unfortunately, it's presented in a way that we've pretty much already seen too. While there were a handful of things and scenes that I really liked, overall it really just isn't all that unique when it comes to plot presentation, which is unfortunate. Its a largely predictable movie, too, and the characters and their relationships aren't incredibly well developed. It seemed like characters just had instant bonds with each other for almost no reason. The characters are, like I already said above, just okay. The actors portraying these characters were quite competent, but the characters themselves weren't all that special. The main character, George, supposedly struggles with losing his boyfriend, but in all honesty I didn't see that. There were a few scenes where it was shown, and these were the scenes that I liked the most. But in all the other scenes he seemed fine. Actually, he seemed quite content for most of the movie. One thing that stuck out to me was the selective coloring. For a large part of the beginning the coloring makes it appear darker and duller, while the scenes where the main character was happy were bright and colorful. It was an interesting way to show us how George was feeling, but for a man struggling with the loss of his lover he seemed to get happy an awful lot. Another thing I didn't like was the ending. It just sort of happened. No foreshadowing, no hint at it being possible. It just did, with no explanation of any kind as to what actually happened or why. While it's suddenness is mostly realistic, it's still abrupt, and that just rubbed me the wrong way. Overall A Single Man is good. As far as presentation goes, it's nothing really special, nor are the characters, but the acting is solid and the selective coloring was pretty cool. In the end I would recommend this movie, but it just wasn't as much my thing as it was many other people's.