A Pain in the Ass

1973
A Pain in the Ass
7.1| 1h25m| en| More Info
Released: 11 November 1973 Released
Producted By: Rizzoli Film
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Budget: 0
Revenue: 0
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Synopsis

Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him.

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morrison-dylan-fan Having a bit of a rubbish week offline,I decided that I would cheer myself up by watching two Comedy films.A fan of him in Noir's,I felt it was the perfect time to see the comedic side of Lino Venture.View on the film:Playing up to his tough guy image,Lino Venture gives a fabulous performance as Milan,with Venture's strained, agitated facial expressions being those worthy of a Silent Comedy. Irritating all he comes into contact with, Jacques Brel takes care that this irritation of Pignon does not spread to the viewer, by giving Pignon a misplaced sincerity towards Milan,which causes all situations to go from bad to worse. Breaking his play out of the hotel room, the screenplay by Francis Veber finds hilarity in making Milan and Pignon absolute misfits, with the cold, hard glances of Pignon being smashed by the cliff-edge emotions of Milan.Gathering the duo in a hotel, Veber smartly spends the opening 30 minutes playing Milan's hit man and Pignon's depression straight, that gives the avalanche of trouble that comes after a feeling of Pignon and Milan having an inability to stop themselves from getting pulled into each other's troubles. Making the physical Comedy look impressively effortless, director Édouard Molinaro & cinematographer Raoul Coutard load up Milan's troubles with slick tracking shots and sped-up car racing that tracks every attempt Milan makes to free himself from the pain of Pignon.
hakapes Watching movies 'backwards' is an interesting experience. There are so many good titles out there that were shot before I was born or I was grown up enough to have a chance to see them. Buddy, Buddy is one of them. However, looking at the critiques, I discovered that this is again a remake of a great French movie, L'Emmerdeur. Last time I have seen Ture Lies first, than I watched La Totale!, which was quite a disappointment, as the US version was just way much better, more money, better actors, etc. So now, I have decided to watch L'Emmerdeur first and just then Buddy, Buddy.Although the movie was not fast as a paced action movie, the 80 minutes went by quite fast. I liked the atmosphere of the film, which is typical for French movies of this time: simple setup, small budget, great ideas and great actors. I just loved the funny situations and little jokes throughout.The other attraction of the movie is the great Belgian singer, Jacques Brel (1929-1978). Although not French, he's a characteristic of French pop music of the 20th. Although he played in a number of movies, he's really not talented for an actor, the only other movie of his that worth a watch is 'L'aventure, c'est l'aventure'. However, as a composer/singer, he was fantastic, just browse to jacquesbrel.be to discover.In case you're a fan of French movies as I am, this is a must to watch. However, as time has passed, L'Emmerdeur brings enough entertainment only for a Saturday/Sunday afternoon for the big audience, strongly recommended for family watch - 7/10.
blackmorea I liked this film, not really belly laugh funny, but the situation comedy that Lino Ventura and Jacques Brel get themselves into, can be very humorous. Ventura plays an assassin who is trying to do a job, however he gets caught up with Brel's annoying and suicidal hypochondriac, foiling his attempts, by trying to commit suicide in the room next door to the room Ventura is in to do the hit. This causes the police to be called to the hotel. When they arrive however, Ventura persuades them that Brel is a friend and he will look after him and get him back on his feet. He decides to get rid of Brel, so that he can continue on his original task, but then ends up helping him to settle the score with his wife, who has left Brel for a rich medical doctor and that is when the real fun starts...!
Jabberwock This film essentially is a study of characters between a loser (Jacques Brel) and a hit man (Lino Ventura).This film, like many French comedies, has a Hollywood counterpart, "Buddy Buddy", with Walther Mathau and Jack Lemmon. Although not bad, the remake is nevertheless deceptive, as we were expecting much more from a movie in which the two principal characters are played by such great actors.