Cineanalyst The Vitagraph Company produced at least nine film adaptations of Shakespeare's works during 1908-1909, and they were behind the 1910 "Twelfth Night" also included on the Silent Shakespeare video. According to historians Roberta E. Pearson and William Uricchio, thirty-six such one-reel adaptations were made in the US alone from 1908-1913, with still more being imported from Europe ("How Many Times Shall Caesar Bleed in Sport", included in "The Silent Cinema Reader"). Some of the earliest feature-length films were Shakespearian, too, including "Cleopatra", "Richard III" (both 1912) and "Antony and Cleopatra" (Marcantonio e Cleopatra)(1913). As Pearson and Uricchio, as well as others, have pointed out, these adaptations were an effort by the movie industry to lend cultural legitimacy to its product at a time when the art form still wasn't mainstream and faced threats of public censorship. Other literary and theatrical sources were adapted in addition to Shakespeare in an effort to win over the haughty.As for this particular film, for what it is, it's not bad. It's an extremely truncated adaptation, with wordy title cards explaining proceeding action, which was common in early narrative films, especially literary/theatrical ones. In addition to the title cards, the filmmakers relied on audiences already being familiar with the play, which is another reason so many of these early films are based on popular literature and theatre. At least, this "A Midsummer Night's Dream" was photographed entirely outdoors, which freed the production from being stagy. There's also some substitution-splicing and superimpositions for fairy tricks. It's a rather average film for its time—nothing exceptional.The filmmakers of this one were also responsible for other Shakespearian films, especially J. Stuart Blackton, who worked on all nine of those Vitagraph films and a few more Shakespeare adaptations apparently made by other companies. Blackton was a noteworthy film pioneer, who started out working for the Edison Company, was the key founder of Vitagraph and made the early animation film "Humorous Phases of Funny Faces" (1906) and the amusing "Princess Nicotine; or, The Smoke Fairy" (1909), among other pictures.

Michael_Elliott Midsummer Night's Dream, A (1909) ** 1/2 (out of 4) Yep, more Shakespeare early style. The actual "story" never really comes across here and the title cards just make things even more confusing but the interesting thing are all the technical stuff. Every shot of the film takes place outdoors and all the locations are very nice. The camera angels are also all set up to perfectly capture the mood of the film.Tempest, The (1908) *** (out of 4) Another Shakespeare adaptation works perfectly well and delivers a very magical feel. Part of this is due to the dreamlike camera work but the special effects are also quite good for their time.King John (1899) *** (out of 4) 've been told this was the first Shakespeare adaptation and if so it isn't too bad for what it is. Running just over three minutes this here takes the final pages of the play as King John dies.

didi-5 This version of Shakespeare's play works well with some excellent performances (the girl playing Puck, Julia Swayne-Gordon, Maurice Costello, Florence Turner) and an attempt to pack in all the twists and turns of the plot into a very short time span. The curio is that Oberon is omitted and Penelope added instead - very odd! The players are also very funny, particularly the wild looking actor playing Bottom. Not at all boring and exceptionally good quality visually.

Snow Leopard This very early silent filming of "A Midsummer Night's Dream" works well. While it's too bad to have to do without Shakespeare's dialogue, the play lends itself well to film, and this one is done with a zest that makes up for the cinematic limitations of the time. It covers most of the main events in the zany plot, and tells the story pretty well. Most of the actors are at least adequate, and the young girl playing Puck steals every scene she is in. The fantasy nature of the play lends itself to special effects, and they have used quite a few in the short running time. Most of them work well, and while a couple are a bit creaky, there are also a couple of them that are excellent. Overall, it is a good treatment of one of Shakespeare's most pleasant plays. It's fun to watch, and for its time deserves praise.