hedra8
I have mixed feelings about this particular DVD release. I have watched this particular version of A Little Princess every Christmas for 10 years, so I know it by heart. It's my adult guilty pleasure. Originally, I had a cherished, recorded-from-the-TV version in 3 parts, and then a few years ago I bought a second-hand copy of the VHS. The only difference was that there were no recaps at the start of each chapter, like on my original recorded version. (I admit that I sort of missed them.. )I was thrilled to discover that this childhood favourite was FINALLY on DVD. I ordered it as soon as it was available, thinking I could finally replace my worn out VHS copy. Imagine my surprise when scenes I had never seen before began to appear in this DVD version. I thought it must be the original version as broadcast in 1986, as it was in 6 parts instead of 3. I was very excited at getting to see new material of this wonderful classic - until I realized to my dismay that some scenes were also cut out! For example, the scene where Sarah tells Lottie about heaven. Removed. And the scene where young Donald Carmichael goes to cheer up Carrisford, and the latter offers him some orange cordial. Gone. I know that it's only 30 or so seconds here and there, but those were two of my favourite scenes. And even though they've added new scenes that change the storyline slightly here and there, the scenes that they cut out would not have conflicted with the "new" material at all! Even the dialogue is ever so slightly different in places. No, it's not brand new voice-overs, it's like they originally recorded two versions of some scenes and aired one set on TV, but used the other set for this DVD. The DVD somehow seems... less British. Example: Ermengarde asks about Sarah's "playroom". In my VHS version, she asks about Sarah's "sitting room". Not to mention that the ending is changed quite a bit.. there is no longer any mention of the Ralph Crewe home for waifs and strays. Why would they chop stuff out and change it like this? I guess I'll have to continue hanging on to my old used VHS copy and occasionally watch this new version and see if I grow to accept it too. I hope another DVD is released with the version I know and love. One with these unfamiliar scenes added in bonus features.. or if this IS the original, then please put back the removed scenes as bonus features!To sum up: Hurray it's out on DVD. Hurray for new scenes that add more depth to my experience of this version of A Little Princess (though I would have preferred them as bonus features). Boooo to cutting out some really charming scenes and changing the dialogue for perhaps a more American audience (i.e. for no apparent reason).
hhy203
I have seen the 1995 version and it is no comparison to this version. strangely this one is not as well known, and took me a long time to find any information about it. now I have found it, I am going to try to add it to my collection. since I saw it almost 20 years ago, the memory of it is not very clear, but I do remember that the characters to be more developed than the movie version, and therefore getting me more attached to them. I also remember the little Sarah a real good actress at her young age. I can't wait to see it again, but who knows, now that it has been 20 years, I may have different feeling to it. maybe I should come back to write my comment after I see it.
Bobby Motwani
Frances Hodgson Burnett's "A Little Princess" is one of the most fascinating and beautiful tales I have ever read;every scene has been wrought to delicately add meaning to the story and brings us to a deep appreciation and understanding of that unique character Sara Crewe whom we follow during her sojourn at Miss Minchin's Select Seminary for Young Ladies,in 1880s London.For nearly four years Sara Crewe was distinguished as the "show pupil" at Miss Minchin's,a time in which she was materially provided for with the finest extravagances, as she had been accustomed to in India.Having lost his wife during his child's birth, the wealthy Captain Crewe had prodigiously indulged his daughter, affording her a life of luxury.Despite her awareness as to her station,Sara was kind and generous,ever considerate to those less fortunate than herself.She was quick to befriend Ermengarde,a pariah amongst the other pupils because of her academic dullness, Lottie,the spoilt baby of the classroom for whom she became a surrogate mamma,and the ill-treated scullery maid Becky,who had never been shown a drop of kindness in her wretched life.Then,on her eleventh birthday, the fateful news arrived that her father had died,having lost his entire fortune in a speculative investment.Bereft of her only family and almost all her possessions,Sara found herself reduced from being the privileged pupil to an ill-used skivvy at the seminary.Nevertheless,she strived to bear her hardships and remain a princess on the inside.As a complement to the book I recommend the 1986 TV-adaptation, which visually brought to life the characters of the story and the feeling of the epoch.The cinematography pictured plainly but effectively the conditions of living in Victorian London,depicting the crowded marketplace and murky lanes littered with paupers and street urchins who spoke cockney and scraped a living off the streets, in stark contrast to the higher society whose children rode in carriages and promenaded in the parks on clear days. And even details such as the houses, the seminary, and the view from the garret window,whence the howling of the bitter winter wind on the rooftops could be heard,were quite as described in the book.The screenplay also followed the book closely, adding new details,leaving out many others, but most importantly,never contradicting the story and nature of the characters as portrayed by Burnett.The casting was picked to match,as closely as possible, the characters' descriptions in the book. Amelia Shankley was absolutely wonderful as the dark haired,contemplative Sara Crewe:not only did she look like Sara,but interpreted the part with such conviction, as if she were truly living the character, enduring her adversities with the complexity of a myriad of emotions that swelled in her young heart and pictured clearly on her sore-plagued face.But her eyes lit up immediately when she was approached by Lottie or Ermengarde,or any one she thought a kind soul, partly out of the comfort it gave her, partly because her proud little spirit would refuse to have it otherwise, but mostly because of her consideration towards others' feelings:she knew, because of her own craving for it, what the warmth of a kindly smile could do to kindle and cheer a lonely heart, and thus she afforded them with a conscious good will.Maureen Lipman as the unaffectionate Miss Minchin was excellent as well-I couldn't have envisioned a better interpretation.Her authoritative nature,absolute conviction in herself, business-like mind, made her the unchallenged captain of her ship; she was a born leader, and relished conducting her crew with the correctitude she deemed right.She would ceremoniously give a speech to "her young ladies", as on Sara's birthday or before the Christmas dispersal of the pupils, and characteristically clear her throat when effectuating what she considered a rather jocular statement intended for the younger girls, as she did before announcing in an incidental manner her message from Father Christmas.A great touch that I thought went just right with her character.My commendations go the rest of the cast as well,who did a wonderful job.All I can say is that I wish you share my good fortune in being able to experience for yourself this enchanting adaptation of one of the most inspiring,heart-warming classics.Sara Crewe is a singular character, rare as one can imagine,yet close to all of our inner beings;I recognise in my childhood-self her musings as to chance being responsible for who we are, her notions of inanimate objects having feelings of their own, her wistful conceptions of the thoughts of others -strangers she viewed during her daily outdoor errands to whom she gave descriptive names and mentally befriended. She was extremely intelligent,haughtily aware of her superiority though she never behaved in a condescending manner which would manifest her superior status -rather,she assumed it as a responsibility.She was ever judgemental of her own actions lest they should hurt another's feelings.A proud little soul, during her tribulations we repeatedly read in the pages of the book how her determined mind curbs a fit of pique, or accommodates her bodily wants and her emotional grievances through fanciful imaginings of better possibilities, so that destitute as she is she still gives freely from her heart , even if all she has to give are dreams and reveries, as we see in the successive visits she receives from Lottie and Ermengarde in her garret.It is the least a princess can do. She swallows her pride when Guy Clarence(actually Donald)offers her his sixpence out of charity, so convinced is he that it will provide for her forevermore; she gives a beggar girl most of her buns when she herself is weak with hunger, for she sees in her a poor waif -one of the populace- hungrier and colder than herself; she worries about the suffering of the Indian Gentleman nextdoor and prays for his well-being, despite her own forlorn situation. And she wishes for his sake that the father of the Large Family, on his way to Moscow, finds the little lost girl.And her wish came true.
