thesaturnine I just saw Puteri Gunung Ledang. I think it's fantastic. It carried on the Malay cinematic tradition... by the very slow subtle shots, I think. And whhaaatever the critics were saying, I do think that the less Freudian expressions of affection were nice. Ah, I'm proud of these filmmakers. +++ Additional Comments: If you found Peter Jackson's the Lord of the Rings completely ridiculous for it's lack of subtlety, this 5 million dollar movie might help you get over the I'm-really-sick-of-mtv feeling. Otherwise PGL might put you to sleep.This movie is based on classical prose, like Beowulf. So don't expect a 20th century fantasy script either. I also thought that it was nice, how they got all the Buddhist/Hindu, Islamic and animistic etc. cultural details and mythological elements into the movie. The fight scenes were very simple, but quite nice. I hate to be a Malaysian yes-man on this, but they were NICE and simple. And realistic. The martial art form used in the movie, is Silat, which is indigenous to the Malay Peninsula and its surrounding islands (present day Indonesia and Malaysia). The sword is called a kris.

cheekyjiva I was one of those people queuing up excitedly during Merdeka, hoping to enjoy the most expensive malaysian movie. Nonetheless, all the publicity in the newspapers, the huge banners along the roads, and a glimpse of the opening rehearsal in KLCC didn't amount to a good turnout. This movie, to some extent, failed to satisfy my needs as a viewer.I have to admit that the settings for this movie is excellent and the costumes, though less extravagant in Majapahit terms, is very much compensated in the Malaccan palace. The yellow colour of the court is just marvelous. It stays true to the royalty of Malay courts at that time and the rich colour sort of signifies Malacca as the powerful Malay state. Gusti Puteri should have more accessories on her to signify her status as a princess. And perhaps Hang Tuah should have a more masculine colour on him like what the Bendahara is wearing. Nevertheless, the movie is too long and viewers are put off by the lethargic movement of Gusti Putri. What I meant is that there is a difference between being graceful and slow. Being graceful doesn't mean you have to do everything in slow motion. Also, if some scenes are deleted it won't affect the storyline of the movie I think. Like the scene where Hang Tuah talked about Tuk Mudim or when Sabri Yunus joked about giving 'penampar Arab'. In the latter, the joke lost its purpose when told more than twice.Gusti Putri did manage to show the theme of this movie; 'Cinta Agung', and she showed this in her willingness to sacrifice everything for Hang Tuah-by 'leaving her people behind' as Gusti Adipati suggested in their telepathic scene. Nevertheless, when Gusti Puteri is left alone with Hang Tuah, their scene is filled with (more) words when actions are more appropriate for two people madly in love. This movie can be a good portrayal of a great love story if only the characters aren't lacking vigour in portraying themselves as great lovers.And the beginning of the movie, when Gusti Puteri is in the maze, which to me signifies confusion, is contradictory. How can Gusti Puteri be confused when she is very certain that she wants Hang Tuah and is willing to go to him? I also fell asleep in the middle of the movie when Hang Tuah was battling with Gusti Adipati. This should be one of the highlights in this movie but by this scene, I was already bored to death with the irrelevant scenes.In a nutshell, this movie is too long, too wordy and some scenes are irrelevant to the title 'Puteri Gunung Ledang'.

Glen B.Wang For the first time in my life, I really have to admit that Puteri Gunung Ledang is so far the first Malaysian movie that contains all the right ingredients for a good and watchable movie. Truthfully, I have never liked any Malaysian-made movies before PGL, thinking that either the filmmakers here never actually bother for quality for the sake of money or perhaps, obviously, that they don't know the proper principles of film-making after all. When I decided to watch PGL a few weeks ago, I kept asking myself if this money was worth the ticket price. Fortunately, it was. Thanks to Teong Hin Saw's brilliant direction, PGL gives a refreshingly new perspective to the casual viewers and also fans of World History.Basically, it is a love story between Hang Tuah, the legendary Malay Warrior of Malacca and the Javanese princess Gusti Putri (the title character) whose relationship arouses the tensions between two worlds: the Sultanate of Malacca and the Majapahit Empire. The plot may be a bit straightforward but its production values makes a major leap over the previous Malaysian outings; you can safely assume that PGL is definitely a work of a pro. Great cinematography (forget about the Cameron Highlands issue), exhilarating camera moves and editing, decent fighting sequences and quality SFX prove it all. Casting, on the other side, is a mixed bag: some perform extremely well, expressing their powerful gestures convincingly while the rest are surprisingly wooden, leaving lots of rooms for improvement.It's true that PGL is not without flaws: the most obvious is the pacing of the entire movie and as a result, it is not a well balanced movie. The lack of any action sequence in the middle act makes the movie seem a bit draggy, filled with long (twisted for some viewers) conversations, tight focus upon the two lovers and other unnecessary slow-moving sequences. Unlike any international epic movies you have seen, PGL is rated 'G', suitable for the whole family, which basically means that it contains no forms of profanity or suggestive elements that may otherwise prove sensitive to some viewers. This only cheapens the maturity of this movie: for me, the whole movie, despite excellent production values, feels mild and unsatisfying as if I ate a half-baked cake. PGL could have been a great contender in any film festival if a) it were a bit more sensual (ala Ang Lee's Crouching Tiger, Hidden Dragon), b) more violent (ala Peter Jackson's The Lord of the Rings trilogy), c) more thought-provoking and visually more disturbing (ala Ron Howard's A Beautiful Mind). Despite these inevitable drawbacks, the Malaysian film industry seems to be taking the right path and this is just the beginning. For now, PGL feels like a good movie. Not phenomenal, though.

hybreed Watching this movie with the greatest expectations of not being disappointed is usually the priority of watching any Malaysian movie. Similar can be said to other Malaysian movies like Pontianak Harum Sundal Malam and Seri Dewi Malam. But the outcome of Puteri Gunung Ledang (PGL) is extremely good, if not beyond the expectations that is for a Malaysian Film.M. Nasir has finally set the record straight, and the bar for playing Hang Tuah. I can no longer see anyone else play the coveted role of a Malay hero than he can. His portrayal of the righteous hero is played so well that most people that have watched him almost believed that he is Hang Tuah.Tiara Jaquelina played the role of Gusti Putri quite well. Her portrayal of a Majapahit Hindu royalty although not really as good as Nasir's portrayal of Hang Tuah is still notable. Some critics would call her a stick on screen but is that what royalties do? Look at the portrayal Queen Elizabeth I, or Lady Jane Seymour of England. They are as much as a stick as Gusti Putri was. Nothing more can be said about her.Christine Hakim was in my own personal view played the most prominent character in the life of Gusti Putri although her appearance in the movie was only for the first 15 minutes of the movie. She made Gustri Putri sound more Malaysian than Indonesian which in turn strengthens her character. Unfortunately her character was ended early which was most unfortunate.Skipping the other characters and side-winding to the aspects of direction of the movie I find that it is very well orchestrated by Teong Hin Saw. He made PGL so beautiful directed that you could not believe it is made by a Malaysian. He was, no, is the perfect choice for the helm of PGL.For the bad part of the movie. Effects for PGL is almost overwhelming that you can see that most of the effects can be seen as, well, fake. Except for the fight scene (SPOILER WARNING!!!) of Gusti Adipati & Hang Tuah, all other effects for the movie is, OK.What is most striking about the movie is the usage of variable camera angles that is almost not used or very badly used in other Malaysian movies. The usage of the classic Malay language and Java scripts is a great plus since it it drives the movie-goers to listen carefully to the spoken word. It is simply awe inspiring.Overall, PGL is worthy of an international release. This could be the landmark and a beginning for more and better Malaysian movies IF and ONLY IF the Malaysian directors and producers are willing to experiment, research and spend lots of money like our Hollywood counterparts do.