dukeakasmudge Here's the way I see things..... Norma Shearer's character Jan falls in love with a gangster played by you know who even though she's going out with a nice guy.The gangster is something exciting while the nice guy is quickly forgotten.What girl wouldn't want to be in constant danger of being shot at instead of horseback rides on the beach? Daddy, who's a lawyer & alcoholic, was OK with the gangster (Hey he's bringing in business, right?) until he found out the gangster is going out with his daughter.Now there's a problem & this causes a rift in the once tight bond between father & daughter, her family as well.Eventually the daughter realizes her & the gangster's relationship is going nowhere & he realizes that she's never going to publicly acknowledge their relationship (She always sneaking in the backdoor to see him) She sees what a mistake shes made & that she was actually better off with the nice guy.The gangster let's her know he's never, NEVER going anywhere & in steps the nice guy to save her from the gangster.BOOM.Now they go & find her father who was doing well but slipped & fell off the wagon a little ways back & hopped a train to ??? to bring him back to try & help the nice guy beat the case.THE END.I wasn't into this movie as much I hoped or thought I would be.It was just something to sit back & watch.I think I might have dozed off once or twice & had to rewind it back.Go ahead & give A Free Soul a shot.You'll probably enjoy it more than I did

gavin6942 An alcoholic lawyer who successfully defended a notorious gambler on a murder charge objects when his free-spirited daughter becomes romantically involved with him.Clark Gable made such an impression in the role of a gangster who pushes Norma Shearer around that he was catapulted from supporting player to leading man, a position he held for the rest of his career. That is really the only redeeming thing about this film, seeing Gable in an early role really busting out.Not that the film is a bad one, but there's a good reason you never hear anyone talking about "A Free Soul". It's not a classic, and it doesn't need to be rediscovered.

secondtake A Free Soul (1931)Clark Gable says, "I'm telling you." And Norma Shearer, dressed in a sexy silk dress, replies, "Oh no, you're not. Nobody is."That sums up this astonishing movie. I can't believe A Free Soul is so little known, or that so many viewers don't get the depth of its meaning then...and now. Throw in three of the most amazing actors of the early 1930s--Lionel Barrymore, Clark Gable, and Norma Shearer--and you can't help be impressed, and moved, and intrigued. It's about strength of character (three or four characters, in fact). It's about being a modern person, and having modern problems. And it's about facing them, openly, honestly.So what holds it back? Well, for one thing, it has a lot of talk, a lot of simple dialog about some very not simple things. If you accept the characters and their need to talk, you will see a very honest confrontation with alcoholism, and with what is at first a kind of sex addiction, or what is later developed to be simply unbridled love for a man outside of marriage. But the parallel between two temptations is real, and rather powerful, and the sacrifices each of the two afflicted characters make is intense. Barrymore (as the one nipping the bottle) and Shearer (as the one too much in love, or in love with lovemaking) play their parts perfectly. They have moments of extraordinary clarity, and moments of abandonment. And they confront each other in a way that is completely reasonable.There are other aspects here worth at least lifting an eyebrow at, namely the very close relationship, almost as platonic lovers, between these two. Gable as a lovable but brutal and deceptive gangster is perfect, too--gorgeous and hard, charming and untrustworthy. The milieu is well developed, from barroom to hotel room to courtroom. This isn't a Warner Brothers knock-you-out crime film, it isn't even Three on a Match, for an example of a compromise between a woman's picture and a gangster flick. It's a heady drama, beautifully laid out and progressively involving, with director Clarence Brown (famous for a whole string of such interpersonal, romantic dramas over several decades) knowing what makes a film really matter.

janetkucera One of the interesting things for me was seeing Clark Gable and Lesley Howard act together 8 yrs prior to Gone with the Wind. Kind of the same casting type-Lesley Howard the smart,cool headed guy and Clark Gable hotheaded, physical type.Maybe that was why I was shocked at how the LH character handled the situation with CG. This is the first time I've seen Lionel Barrymore in a lead role and was thinking he should have at least been nominated for an Oscar,so looked it up,and was pleased to see he won! Very deserved.I have an etching done by Lionel that my Mom had that shows his great talent in that area also. I saw this on Turner Classic Movies, after seeing the documentary about why the codes started. For it's time this is a very in your face movie. Alcohol abuse,co-habitating with no marriage. The obvious threat of an abusive marriage,or worse if she refuses the marriage. Also loved the scenes of 1931 San Francisco thru the window at the beginning, Yosemite and other areas.