Leofwine_draca MONDO BALORDO is one of the many mondo documentaries that boomed in Italy in the 1960s. This one's narrated by the ever-genteel Boris Karloff, whose dulcet tones add immeasurably to the viewing experience. The rest is the usual concoction of clips culled from news footage, documentaries, et al. What's remarkable about this one is just how tame it feels for the modern viewer, a film where dwarfs, transvestites, and lesbians are described as 'strange' and 'abhorrent'. Elsewhere, there are scenes of women exercising and in their bikinis on the beach; Bedouin prostitutes; debauchery in Hong Kong nightclubs; elephant hunting and turtle butchery; zoo scenes and operations on sick dogs. It's all so dated that it feels like it comes from another world.

JoeKarlosi Boris Karloff's lispy narration is spoken over "strange and bizarre" clips of absurdity. This is totally value-less tripe, but it's amazing to hear the seasoned horror actor saying words like "prosthitute" and "transvesthtite". I thought that someone might have utilized some innocent remarks that Boris may have been told to read and then play them over weird scenes with totally different meanings -- but no, it's incredible that Karloff actually reads sick and perverse words specifically intended for the material! These days the "shocking sights" are tame and quite dull; nothing as "weird" as they may have been perceived way back in the 1960's.0 out of ****

Michael_Elliott Mondo Balordo (1964) * (out of 4) Yet another imitation of the MONDO CANE series, this one featuring narration by Boris Karloff (just think from this to The Grinch!). What we basically do is travel across the world taking a look at various strange rituals mainly dealing with sex. There's some dwarf love going on but of course the big highlight is the animal violence, which was rampant during this "period" of cinema. I know many people outright hate these mondo movies simply because they see them as nothing but trash. I wouldn't go to that level because there are some that were meant to shock but also they were well made. That's not the case here as this is clearly just an attempt to make some money and there's no question that it's poorly made and mainly boring. The one "highlight", if you want to call it that, is Karloff doing the narration but I'm willing to bet that he just signed the back of a check and didn't actually see what he was putting his voice to.

Lou Rugani I saw Mondo Balordo ("A Fool's World") at the late, lamented Mid-City Outdoor Theatre in 1964 (it closed in 1984) and at the time there were a number of films copycatting the wildly-successful "Mondo Cane" ("A Dog's World"). For the uninitiated, these are anthology documentaries of the offbeat, bizarre, and often even disgusting, all supposedly genuine, with an unseen narrator (in this case, Boris Karloff, who's great in anything), and a musical score. As a shockumentary, although I really don't remember even one topic, I recall that MB was hardly as well done as Mondo Cane, and if this turns up anywhere on video, I believe you'll be underwhelmed.Except for Boris Karloff's narration, which is the best thing going for Mondo Balordo. I rated it a 5.A footnote observation: it's amazing what little it took to shock the audiences of 1964. Nowadays ... hm.