A Day Of Violence

2010
A Day Of Violence
3.7| 1h31m| en| More Info
Released: 09 August 2010 Released
Producted By: Giallo Films
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.giallofilms.com/a_day_of_violence.htm
Synopsis

Mitchell Parker lies dead on a morgue slab. In life, 'Mitchell' served the low ranks of Debt Collectors, surrounded by all the filth and scum that the world had to offer. He thought his luck was in, when on a routine collection he stumbles across 100,000 in cash, hidden in the sofa of one of his clients. A dark and haunting past hangs over the head of 'Mitchell Parker', one that will lead him on a journey of redemption and ultimately sacrifice. Hunted by the gang whose Money he has stolen. He must evade capture and use the money to rid himself of his demons once and for all. Witness his last days of life.

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redrobin62-321-207311 Is it important that you catch this little British ditty? Not really. It's really nothing more than a collegiate flick for a student's final. The acting was poor and could've easily been done by the filmmaker's extended family. This version of 'A Day of Violence' had some colour issues, too. The general hue was de-saturated browns; blood looks black or dark brown and the general lighting was sepia-toned, even black and white in some areas.Yes, the film was uneven, but something about it did grasp my attention. Maybe it was the ultra violence. I believe this is the first time I've seen an upside down man have his nards removed by garden shears. Gruesome, indeed. Kinda looked real, too. It's the scene that was missing from 'Grotesque'. I guess in Japan they have very little prosthetic penises so you have to make do with what's there.This "film" looked like it was shot digitally. I do wish they either improve that medium or get rid of it altogether. It just doesn't work for movies. It makes the presentation look way too amateurish. I do give the movie some points for editing; at least it wasn't slow paced once the action started. Oh, well. It wasn't a total waste. I do enjoy those British accents, eh wot?
artpf Mitchell Parker lies dead on a morgue slab. In life, 'Mitchell' served the low ranks of Debt Collectors, surrounded by all the filth and scum that the world had to offer. He thought his luck was in, when on a routine collection he stumbles across 100,000 in cash, hidden in the sofa of one of his clients. dark and haunting past hangs over the head of 'Mitchell Parker', one that will lead him on a journey of redemption and ultimately sacrifice. Hunted by the gang whose Money he has stolen. He must evade capture and use the money to rid himself of his demons once and for all. Witness his last days of life.Kind of a bad Brit flick that starts like a porn film. Lots of screaming, but little of interest goes on.Take it or leave it. I don't think it really delivers.
simonpcpearson There is nothing good to say about this movie. It's another pointless, pitiful and deeply unpleasant movie by Darren Ward. He has been making this type of thing for years and he hasn't improved since the truly awful Sudden Fury many years ago.Its very very cheap. Production values are poor. The lighting is at times to dark to see what is going on and the sound makes it impossible to hear what is being said. However given the terrible level of acting and writing and directing involved this is probably not much of a loss.There are some positive reviews here and on other sites which can only be by people connected to the movie as no-one could possibly find this to be a 10/10 movie.Avoid.
Indyrod Darren Ward directed this extremely violent gangster bloodfest, and he certainly delivers the goods. The story is about Mitchell (Nick Rendell), a money collector dispatched by a gangster boss to find some missing money. Movie begins with a really really hot sex scene, between Mitchell and his Wife, and then moves 24 months ahead with him lying dead on a morgue slab, with a huge hole in his stomach. The story is told by the dead man and recounts what happened to cause his gruesome death. The gangster boss believes he was robbed and when Mitchell goes to the guy they think did it, he finds the money and cuts the guys throat open, with lots of blood spray. Mitchell keeps the money, and then is called upon by an even meaner gangster boss to find his 100K, which Mitchell now has. This starts a rampage of some of the most extremely violent graphic bloody kill scenes you are likely to see in any movie. Ward really sets forth to create a splatterfest of the highest order. He succeeds with some great shootouts and one particular torture scene of a guy hanging by his feet from the ceiling. After beating the guy with clubs, for stealing money from the boss, what follows knocked me out of my chair. I've seen it all, believe me, but what they do to this guy made me flinch and is not easily forgotten, especially by men. Extremely bloody, gory, and Ward makes sure you see it all in nice bright bloody color. Every step of the way Mitchell takes with his psychopath partner leads to more kills, and more graphically detailed blood and guts. After the crime boss finds out it was Mitchell himself that stole his money, everybody goes after him. Big time shootouts, more kills, and I thought I was in heaven. There is NO WAY this cut Mr. Ward sent me will ever see the light of day in an American theater. But he intends on releasing it uncut and unrated, so lucky for everybody that likes this genre, you'll get to see what I saw in the screener. This is a very very brutal movie, but top notch acting by all involved, and great photography, make this a must-see for you fans of excessive violent movies. I didn't notice any CGI, just plain old very well staged practical makeup effects make this one a joy. There's a little Guy Ritchie, some Tarantino (ala Reservoir Dogs), but mostly Darren Ward (Sudden Fury) that creates a very memorable graphic gangster thriller. This movie is NOT to be missed, it scores on all levels. I loved it, and will buy it for sure, just to hear Mr. Wards commentary.