poddylobo This film kept getting pushed down to the bottom of my 'to watch' list, but I'm really glad that I got to it in the end.It was refreshing to see a teenage pregnancy story that took us out of grimy (sub)urban life, instead offering expansive views of country and coastline. So although many of the themes were difficult and at times harrowing, these extreme wide shots gave us a bit of room to breathe.This film also took us away from the female, or more accurately, the mother, which again is unusual for a story dealing with teenage pregnancy. Robbie's mum is always kept at a distance and behind a barrier, such as at the end of an unanswered phone. Subsequent to his rapid conception and birth, baby Elliot's mum is only seen walking in the background now and again. This allowed the film to effectively focus on father-son relationships spanning four generations.However, this focus on the father figure almost left me craving a little feminine input, if only for the sake of balance. Luckily, the film delivered on this through the initially mute character, Nia, who has a story to tell and eventually manages to tell it.Another interesting aspect to do with storytelling is the portrayal of the media. The newspaper headlines and TV snippets paint the picture of a dangerous, possibly armed menace. The film will then cut to young Robbie lovingly taking care of his child, thus undermining this face-of-evil built up by the media. We're reminded that this is about an individual on a journey.After recurring references to drowning and water, Robbie's journey unsurprisingly culminates in a cliff edge. As with all ambiguous endings, I have an ambiguous response. Half of me applauds the film for ending with such suspense. The other half just wants to know what happened...

Tim Kidner For those who praised both the directing and writing of A Boy Called Dad might like to know that Brian Percival (who directed the multi-award winning ITV drama 'Downton Abbey') won a BAFTA along with screenwriter Julie Rutherford. That was a short, About A Girl, in 2001.This re-teaming in 2009, a small £1million budget and a welcome star name of Ian Hart have produced a modest little gem of a Brit movie, filmed in Liverpool and north Wales. A Boy Called Dad stars 14 y.o. Kyle Ward, a natural and fine performance (though according to IMDb, hasn't been in anything since) from a lad who has a one night stand - and then fatherhood. The mother of the child has little contact with Robbie (Ward) and lives separately.Enter jack-the-lad Robbie's Dad, a cheeky Liverpudlian with a VW pickup. He left Robbie and his mother some years before and says that he had moved to Ireland, when he had in fact, not. Robbie, after some reacquainting and bonding with his Dad, feels rejected and goes off the rails, kidnaps his own son and makes off in a car.The film does have its moments of action, bursts of anger and a lot of quiet moments of contemplation and emotion. It won't suit everyone, though its very humanity should appeal to us all. It's whether we choose to actually sit down and watch it rather than something more gimmicky and instantly gratifying. It's not a great movie, but a good one.

ray-591-979833 Boy Called Dad- How good it was to see a refreshing, moving and relevant British film, something I've not seen since other low budget films like "This is England and Trainspotting". This is a film with a genuine desire to tell a story, convey a message, entertain and educate all with such integrity. The script was imaginative and real, the acting first class with characters we all know from the street round the corner. To see a film that is shot around my own childhood haunts such as the sea front at West Kirby instead of some distant exotic location is exciting and very pleasing. I hope this film launches Made Up North Productions into the mainstream of the British film industry as it should. Well worth a trip to see if you have the chance.

jtebrett Have just come back from the Edinburgh Film Festival and having seen lots of films there, including the more popular, bigger budget films, this one really stands out as something special. Whilst watching the film I cried with laughter and cried with heartfelt emotion for the characters and their excellent portrayal of their situation. Brilliant acting and gorgeous scenery and camera work. I defy anyone to see this film and not enjoy it! Ian hart, as always, gives a very special, genuine performance but the most surprising performance is the effort put forward from the young lad who plays the teenage dad who goes on the run with his son. It's so heartening to see a depiction of teenage dads which isn't so incredibly negative. I didn't know what to expect but I can know say that I'm so glad to have seen this film.