48 Hrs.

1982 "One cop. One con. No mercy."
6.9| 1h36m| R| en| More Info
Released: 07 December 1982 Released
Producted By: Paramount Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.

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Michael_Elliott 48 Hrs. (1982)**** (out of 4) A crazed criminal (James Remar) escapes from prison and soon a couple cops are dead. Detective Jack Cates (Nick Nolte) is thrown into the middle of the case so to try and track the psycho down he goes to visit a former partner, Reggie Hammond (Eddie Murphy). Cates gets Hammond released from prison for forty-eight hours to try and track down his former partner.48 HRS. was Walter Hill breaking into the mainstream after getting success with films like HARD TIMES and THE WARRIORS. This film was a huge box office success when it was released and it's easy to see why because it contains some graphic violence, non-stop action, some great laughs and a politically incorrect humor that is perfectly done by two excellent lead performances. The film really holds up well after all these years and it remains one of the greatest "buddy" flicks ever made.A lot of the credit has to go to the screenplay because it really does offer up a little bit of everything. The first twenty minutes are a rather violent and gritty police drama and then once Murphy is introduced we get more laughs but the film never loses its raw edge. It certainly remains violent throughout but the two lead characters are put into so many great situations that you can't help but enjoy the ride they're on. There are many classic moments here but the highlight has to be when Murphy enters a redneck bar and tears it apart.Nolte makes for a terrific, worn-out cop and he certainly plays the part masterfully. Murphy is brilliant as the sly con and it's easy to see why he became an instant star with this picture. The chemistry between the two men is something that very few films have matched as the two play perfectly well against one another and makes for a lot of great fun. Annette O'Toole is good in her scenes in the film and Remar makes for one of the most memorable villains from any action picture from the 80's.Hill does a masterful job at keeping the film moving at a very fast pace and there's no question that he handles the action, drama and comedy perfectly. 48 HRS. was the first of a genre that would eventually lead to countless action films dealing with two different types bring brought together to solve some sort of case. The film holds up extremely well after all of these years and it's rawness and politically incorrect humor really makes it stand out as something fresh and original.
ivo-cobra8 48 Hrs. (1982) is an action classic the only original best buddy cop flick from the 80's. Is an action cop flick that I love to death and it was honestly the first action film I saw as a kid. I grew up watching this film and in my opinion is still my favorite action buddy flick. This is first time we see Eddie Murphy in action before he went in making Beverly Hills Cop (1984), beside Beverly Hills Cop this is one if his best movies of the 80's. It is actually my favorite Walter Hill film. Like I said I grew up watching this film, I loved 48 Hrs. so much that I hardly convinced my mom to watch this movie with me and the sequel of this film. I read on Charles Bronson's Murphy's Law (1986) flick that the storyline of that film the pairing a cop with a convict was popular in Hollywood during the 1980s after the success of this film 48 Hrs. (1982). Nick Nolte and Eddie Murphy are sensational in this film, the action is great and the plot about this film is well paced it goes fast and it is entertaining. I really enjoy watching this movie and honestly I love it more, than I would love the sequel, the sequel can't even hold a candle to this film."Yeah. Well, I'm real impressed with you too, man. It takes a real-skilled cop to kick in the bedroom door of a couple of dykes!"Plot: A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.The film is actually about a $500,000 stashed cash and two cop killers who are running around and killing cop,s while they want to get the hands of this cash. A tough cop who is a survivor in a shoot out in the hotel from those two killers, pairs with a convict from prison to help him to get and catch those two killers. They only have 48 Hrs. before the cop has to bring the convict back. They don't make films like this anymore, I really love action films from the 80's and this one was the first one I have saw as a kid. My favorite part in the film is the stake out scene: Jack (Nick Nolte) and Reggie (Eddie Murphy) head out to the parking garage, and they park across the street from the parking garage, waiting till the parking garage opens which it does around 7.00 am in the mornings and they spend the night there. Next morning Jack (Nick Nolte) brings a café drink to Reggie (Eddie Murphy) and wakes him up. The similar thing happened to me when I was 12 years old. My mom drove me and my dad with the car in the city 4.00 am in the mornings it was night than and my dad went with his bike delivering news paper, me with my mom waited on him in the car till his shift ends. During the waiting I fall a sleep, when I woke it was past 7.00 am and my mom brought me food from the store in the car. That moment I remember this scene in this film. It is a beautiful child memories of mine on my mom and 48 Hrs. (1982) is my childhood movie and it is memories on my childhood. 48 Hrs. and Beverly Hills Cop 1 & 2 are my favorite Eddie Murphy films from my childhood that I love to death.This is Nick Nolte's best action flick that I love to death and only one that is worth to watch. I love Music theme by James Horner that I love so much including the opening scene that was awesome. Honestly James Horner made the same music theme for Commando (1985) Arnold Schwarzenegger's movie. I love the shout outs, the action scenes, the dialogues and I also love the main lead roles from Nick Nolte and Eddie Murphy, Jack Cates and Reggie Hammond are my favorite characters. This is the only original action film, but I think it was unnecessary making a sequel (Another 48 Hrs.) that I honestly think Nick Nolte made a lousy awful job reprising his role and Eddie Murphy was even worst by shouting and punching Nick Nolte. Before I finish my review you have a few cast that are memorable here: You have: James Remar from Dexter playing the main villain, David Patrick Kelly from Commando and The Warriors, Sonny Landham from Predator, Annette O'Toole from Smallville, Jonathan Banks from Beverly Hills Cop and Olivia Brown from Miami Vice. I have this film on Blu-ray I used to own the DVD but I switch it for Blu-ray.48 Hrs. is a 1982 American action comedy film directed by Walter Hill, starring Nick Nolte and Eddie Murphy (in his film debut and Golden Globe Award-nominated role) as a cop and convict, respectively, who team up to catch a cop-killer. The title refers to the amount of time they have to solve the crime.Overall: Is my favorite action flick from my childhood and I love it to death. This flick get's a solid 10 by me and it deserves it.
NateWatchesCoolMovies Walter Hill's bawdy buddy cop classic 48 Hrs is for me the original and best entry in the sub genre. Countless films since have attempted to re create the aesthetic which was so purely and profanely distilled here. I think one of the reasons it worked so well is because one of the duo isn't even a cop at all, but a fast talking ex con played by Eddie Murphy with exquisite comic timing and bullet-time verbosity in what was one of his first roles. He's paired with a gruff, grunting Nick Nolte as Jack Cates, a spectacularly bad tempered Detective who is forced to bring along Murphy's gabber mouthed Reggie Hammond on a mad goose chase of a hunt for two staggeringly homicidal criminals. The entirety of the film is peppered with nostalgically anti-PC banter between the two, delightfully distasteful stuff that would never make it into a studio movie in this, the day and age of the offended millennial whiner. These two guys genuinely dislike each other for the majority of the film, and get so caught up in their petty feuds and arguing that they actually get distracted from their case, taking interludes to literally beat each other up in an alley. Nolte is perfect as the irresponsible hotshot with anger issues up the wazoo and a penchant for reckless behaviour. Murphy doesn't let up with the mile-a-minute yakking for one second of screen time, making damn sure his performance makes an impression. And it did, putting him on the map in a big way, and forging a career playing these types of dudes. James Remar has never been scarier, crafting a villain so psychopathic and dangerous he'd rather shoot cops and terrorize civilians that enjoy a hooker he picks up. The look of pure malice on his face as he coldly puts a bullet in a poor officer is chilling. He's Albert Ganz, heinous prison escapee on the run with equally nasty compadre Billy Bear (The legendary Sonny Landham). The two prove to be a raging juggernaut of violence for Jack and Reggie to contend with, providing some crackling action set pieces including a chase scene set on a speeding San Francisco cable car that will give your TV a good workout. There's supporting work from solid players including some Hill favourites. David Patrick Kelly plays an unsavoury associate of Ganz's, Annette O Toole is Jack's poor neglected love interest, and there's work from Chris Mulkey, Jonathan Banks, Frank McCrae and the late Brion James as well. When it comes to buddy cop flicks, this is the original and accept no substitutes. The two leads have never been funnier or more committed to such a heightened pair of performances. Hill drives the direction with snappy, ruthless precision where the laughs hit with the same stinging impact as the full throttle violence and wanton obscenities hurled across the screen. It holds up just as well today as it did back in the 80's, and is always ripe for a revisit.
view_and_review Besides being a nostalgic walk through the San Francisco of my childhood, 48 Hours apprised me of something else--it was incredibly racist. I'm not talking about the subtle innuendo type racism; but the brash, in-your-face, N-word using, unabashed racism. Now, I know that it was done all in the name of comedy but I was shocked. I saw this movie so many years ago, and really, I'm sure I never saw the whole film because no way my parents would have allowed it. I think the little bit I did see was by popping in the VHS when they weren't home and I know now that I understood very little of it.This movie absolutely wouldn't fly today. The closest thing I've seen to it is Rush Hour, and even as much as Chris Tucker pushed the envelope with the subtle digs at Jackie Chan's Chinese heritage, you definitely saw that a line was drawn. In 48 Hours, no line was set--which is maybe why it was such a hit.Eddie Murphy was funny, though not nearly as funny as in other movies. Nick Nolte was all too good as the raspy voiced, surly cop. And Oh how can I forget the loud Black police captain played by Frank McRae. Did 48 Hours start that trend? 48 Hours is a classic but not nearly what I remember now looking through the lenses of an adult.