Z O The subject matter of this film was interesting enough, and I won't provide any spoilers in regard to the storyline, but the camera work was just awful. The person behind the lens could not, for the life of them, focus their camera or hold it steady. It drove me NUTS!Every single shot either began or ended out of focus and, after a while, it started to give me a headache. From the repeated quick zooms in and out, the jerky camera movements, the countless blurry shots, and the barrage of shots that would begin out of focus only to quickly hunt back into focus and then back out of focus again--sometimes more than once in the same scene--ended up becoming so distracting that I could barely focus on the storyline and what the people in the film were saying; I was focused more on the poor camera work. In fact, I find it to be so bad, for me, it's now become the reference film for how not to shoot a film.I don't know if the cameraman thought they were being creative or what. But the purpose of these types of camera movements and focus techniques is for creative purposes that are meant to be used sparingly--not for virtually every scene! Otherwise, it just becomes annoying and viewers end up paying more attention to the flaws than they do the story. That's just filmmaking and videography 101. This cameraman doesn't seem to understand this, so it's left feeling like amateur hour for most of the shots.TL:dr: If you can manage, for over an hour, to stomach the distracting and annoying camera work, then you might enjoy this documentary. If not, then that's too bad for all involved, including the viewers.