Jesse Boland It really is amazing what movies people will put time, and money into making, and what they end up being. This is a ridiculous premise that is just dragged through a bunch of crappy dialog. There is a kernel of the original Death Race film, or some playful Cannonball Run style that almost shines through, and the whole time watching I was hoping that it would just be that little bit better, and a little less campy nonsense. The direction is kind of there, but what everyone has to work with in this story, and I would expect lack of a script of any substance, leaves the whole movie less for it on all sides. I did not Enjoy this movie from the beginning, but stayed to the end just to see if there were any new little shocks, or laughs, and am sorry to say that there are none. The Survivor like parts just mix up the middle of the movie, and you end up right where you expect. I do not recommend this movie, and would really just outright warn you off it, and not in that good The Poughkeepsie Tapes kind of way either.

bernard-175 10 Terrorists is a comedy, not about terrorism but about reality television. In its broadest sense it is a reductio ad absurdum of capitalism's insatiable need to exploit. In this case, it is the very last unappropriated territory left to it - its own demise. In other words it's a Dr Strangelove for our economically rationalist, media-saturated, 21st century world. And like Kubrick's film, it's damn funny. If irony is your style of humour, that is. Irony is not something which Australian film is noted for nor is something that fills the multiplexes but 10 Terrorists is a small gem - knowingly irreverent, and energetically inventive, it is a real kick in the pants to the tiredness which has overtaken our comedies in recent years.Although this is only her second film in Australia, Ms McLachlan had a substantial career as a documentary and feature film-maker in both South Africa and the US before coming here. That the film was shot with only eight days of principal photography is a testament to her well-honed skills. Another of the keys to the film's success is the collaboration that has gone into it. This was not just something that went on behind the camera with many of the creatives, including cinematographer Peter Falk amongst others, reuniting from The Jammed. Although based on a story developed by McLachlan with co-producer Lenny de Vries, the script involves considerable input from the cast themselves, all of whom do a first class job. "Political" films can easily founder in preaching polemics but the improvised nature of the in-character dialogue keeps us in the :reality" of what we are witnessing.If Ms McLachlan deserves credit for her directorial skills she has also functioned as editor and if anything, her contribution here is even more telling. There is no irony without wit and wit does not solicit the guffaw. What makes 10 Terrorists such a comedic delight is that it plays with, rather than brays at, its audience. Whilst the core concept endows proceedings with a continuously underlying absurdity, the explicit jokes are always obliquely made, more quirks in the corner of the screen than front and centre "ha-ha's" . And they are dotted throughout the film frequently enough to keep one wryly smiling throughout. And if the shaping of the raw material is felicitous, the post-production enhancements through the use of graphics and interpellated footage are impressive. The realization that 10 Terrorists was made for $300,000 is quite staggering when one sees the result on screen. Let's hope that more than a handful of people get to have that experience as a result of a canny distributor getting behind this richly-rewarding film.