SnoopyStyle Iris (Vicki Frederick) and Molly (Laurene Landon) are the California Dolls traveling the country with their hard-nosed manager Harry Sears (Peter Falk) to wrestle in rundown events. The girls try to do it seriously but money is tight and life on the road is a struggle. Sleazy promoter Eddie Cisco (Burt Young) shorts the girls $20 and Harry takes a bat to his Mecedes. In the end, he comes to them with a title fight.On the surface, one would think this is a simple T&A B-movie of the era but it's actually a good movie about an unconventional family. I really love their relationship. The actual wrestling isn't quite as interesting. It's questionable whether that many people would watch serious women's wrestling. It would be more like a carnival sideshow or WWF in the old days. All that aside, this is a great family unit to watch.

Movie Watcher This one's a puzzler. With such an honored film resume, it's hard to understand why Aldrich took on this project; it's probably sad that this was (?) his last project before he died in 1983. Also curious how an actor like Peter Falk signed on (although if memory serves he really didn't do all that much since Colombo at this point in time). Harder to figure still is how the film got green lighted in the first place. Was it a comedy? Was it a drama? Was it a "buddy" film? Was meant to be a lady "Palooka" or boxing genre? Th movie suffered from trying to go all over the map and as a result, didn't do any one thing well. Certainly it couldn't have been a star vehicle for Vicki Frederick (better known for her role in the "A Chorus Line" movie), could it? Also, the timing of this is amazing if you consider that "Wrestlemania" (that popular culture earthquake that popularized "modern pro wrasslin" and characters like Hulk Hogan, Cindy Lauper, and "Girls Just Wanta Have Fun" video star Capt'n Lou Albano, etc.) was still another five years away.Seemingly had nods toward "Rocky (I)" in terms of the story: down-on-luck, working class fighters struggle and get their shot at the brass ring. But again, the film didn't seem to flesh out any of these various story lines: • Is pro wrestling real or fake (again, this was BEFORE the industry's dirty little secret of "KayFabe" was broken in open court)? • Can the "good guys" (Good Girls in this case) succeed in their crusade against the morally challenged fight promoters or the "system" of low-budget/low esteem pro wrestling traveling circuses? • The physical and emotional affects of this lifestyle (battles with "substance dependency" by one the characters, "how did my life turn out like this?, how did I get here?") • The sexual discrimination and women-in-a-man's-world attitudes faced by these two young women trying to "eek" out a living in high-inflation, low morale, and national malaise Jimmy Carter's "Rust Belt" America.I'm not even mentioning the obvious salacious subject-matter (scantily clad women rolling around wrestling rings with other scantily clad women). The film's reliance on clichés and other pleas for help are numerous: 1) Jumping on the "mud wrestling" craze of the late 70s and early 80s (when this was supposed to be about in-ring "pro" wrestling; 2) The completely unnecessary and blatantly opportunistic special guest appearance by "Mean Joe" Greene (of the then Super Bowl champion Pittsburgh Steelers and "Hey, Kid"/Coca Cola TV commercial fame); and finally, 3) The apparent May-December romance between the two "stars".It's almost like Falk and Aldrich were fulfilling a contractual commitment to the studio by doing this film, and this was the script that they settled upon. Either that or you have to wonder which one of them – perhaps both -- has the wrestling fetish. Having said all this, the viewer CAN tell that both Falk and Aldrich are brining some sophistication to the film, and that's probably what saves it from being completely ready for Mystery Science Theater 3000. The choreography of the wrestling sequences is right up there with some of the better boxing pictures I've seen. And the "driving" interludes through small, depressed industrial towns and the back roads of the Midwest farmlands nicely convey the "living on the road and out of the trunk of the car" day-to-day existence the trio might have endured. Falk's character grooms the young, up-and-coming "athletes" or "performers" for their "shot" at the big time (think Burgess Meredith in Rocky). Falk's performance -- as the streetwise but disrespected, good-hearted but washed-up, grouchy but lovable manager – is distracting not because it's tired and cliché but because it is so far above any other actor in the movie. Had I been there, I would have LOVED to ask him about this role during his appearance on "Inside the Actor's Studio" a few years ago. Speaking of Rocky, Burt Young, Rocky's brother-in-law Paulie in the series, basically plays the same character here, only not as lovable but a shady character with some power to "pull some strings" when it suits him.But ultimately the tag team relationship between Frederick and Landon -- teammates and theoretically "friends" -- is almost nonexistent. Really only one scene even attempts to explore this "bond" (a la Butch Cassidy & Sundance Kid). The physicality of their performances and their obvious training to learn the bumps and rolls of the wrestling game is commendable, but doesn't save the movie, either.We're not sure whether we're supposed to believe what they've been through is real, so we really don't care for any of the characters by the end. But by that time, we pretty much know what's going to happen, anyway. Watch it for an interesting, if not laudable, project by each Messrs. Falk and Aldrich.

plhanc A strange underrated film. brilliant acting and wonderful fight sequences. The film lives in a curious world of endless motel rooms, dislocation and transit (Harry's grubby car/opera soundtrack ...) A curious feature is also that we are asked to believe that pro tag wrestling is "for real." the photography throughout is excellent and the performances are very strong (Falk is superb!)another wonderful, tantalising element is the scant detail we are given of the central characters. Molly = "junkie" ex secretary, Iris = ex lover of Harry, and Harry himself = opera loving ex teacher. the tone of the film is of these (and other) exploited girls, literally fighting for a better life, on the "eternal road" both strong, but a million miles from "independent". occasional comic moments, and moments which bring enormous sympathy and empathy. a classic film. and sadly, I believe, Aldrich's last.P Hancock. Kent, UK

slimedevil4444-1 This is overall an entertaining movie,but I have to admit...the real interest here for me is watching 2 very sexy women wrestling. I've always enjoyed catfighting,and this is one of the few mainstream movies that has that in it. I would someday like to see a racier version of this movie,but i know I'm probably just dreaming. Its been awhile since I've seen this,but i believe there was also a jello wrestling scene in it. One thing I had a little trouble believing was that the lead dark haired wrestler was sleeping with the Peter Falk character...ewwww....highly doubtful. I recommend watching this movie to see if you like it.