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Makal

as Himself

2022
Keedam

as Balan

2022
Mohan Kumar Fans

as Paulutty

2021
And The Oscar Goes To...

as Aravindan

2019
Mera Naam Shaji

as Advocate Lawrence

2019
Love Action Drama

as Shoba's Father

2019
Njan Prakashan

as Gopalji

2018
You Too Brutus

as Hari

2015
Saaradhi

as A S I Subran

2015
God's Own Country

as Mathew Tharakan

2014
Shutter

as Manoharan

2012
Money Back Policy

as Asokan

2013
Outsider

as Sivankutty

2012
Thattathin Marayathu

as Abdul Rahman

2012
Ordinary

as

2012
Jawan of Vellimala

as Varghese

2012
Diamond Necklace

as Venu

2012
Chapters

as Sethu

2012
Theevram

as CI Alexander

2012
Unnam

as Balakrishna

2012
Traffic

as Sudevan Nair

2011
Oru Naal Varum

as Gopi Krishnan

2010
Passenger

as Sathyanathan

2009
Ividam Swargamanu

as Adv. Prabalan

2009
Makante Achan

as Viswanathan

2009
Katha Parayumbol

as E.P. Balan

2007
Balram v/s Tharadas

as Srini

2006
Prajapathi

as Ali Raghavan

2006
Sreenivasan Sreenivasan

Birthday

1956-04-06

Place of Birth

Thalassery, Kerala, India

Biography

Sreenivasan is an Indian film actor and screenwriter known for his work in Malayalam cinema. He has written for over 50 films and has acted in over 200 films. He has also directed and produced two films each. Sreenivasan wrote the screenplay for films such as Odaruthammava Aalariyam (1984), Sanmanassullavarkku Samadhanam (1986), Gandhinagar 2nd Street (1986), Nadodikkattu (1987), Pattanapravesham (1988), Varavelpu (1989), Thalayanamanthram (1990), Sandesam (1991), Midhunam (1993), Mazhayethum Munpe (1995), Azhakiya Ravanan (1996), and Ayal Kadha Ezhuthukayanu (1998) among others. As a writer and actor he has frequently collaborated with directors such as Priyadarshan, Sathyan Anthikad and Kamal. As an actor he has collaborated several times with Mohanlal. As a filmmaker, he scripted and directed Vadakkunokkiyanthram (1989) and Chinthavishtayaya Shyamala (1998). Sreenivasan’s scripts in 1980s and 1990s brilliantly portrayed the amusing part of pulp fiction stories appeared in majority substandard Malayalam magazines while not to mention about his valiant effort in explaining the negative influence of such contents to the society. Through his subtle humor he was, on the other hand, pretty successful in providing incredible insights into the militant labor unions that are largely responsible for the closure of many industries in Kerala. Sreenivasan has created a new dimension for Malayalam cinema by way of humor to tell stories in the simplest manner.
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